Tuesday, January 28, 2025

Dear Valentine, Part 2

Lucy at her school desk.

    Monday morning Lucy could hardly wait to finish her breakfast before starting for school. She didn't even waste a minute talking to her friends in the hall. She went straight into the fifth grade classroom, looking for Miss Chase. The teacher was working at her desk.
   "I have a perfect idea for our school assembly," Lucy called out to her.
   ''That's fine, Lucy," Miss Chase said. ''I'm going to ask for everybody's ideas in a little while. You'll keep your suggestion for later, won't you?"
   Disappointed for the moment, Lucy nodded and went to her seat. Carefully she tried to copy the graceful script she remembered from the valentines. Slowly and lovingly she wrote:

"How fine, how full of sweet delight
Our lives will be when our hearts unite."

   It didn't look much like the script on the valentines, she decided. So she started to write it again when the bell rang and the school day began.
   It wasn't until late in the morning that Miss Chase brought up the subject Lucy was waiting for the assembly program.
   "February is a short month," Miss Chase said, ''but it's full of holidays: Lincoln's Birthday, Washington's Birthday and St. Valentine's Day. Our class, as you know, has been assigned to prepare the assembly program, and I hope you've all been working on ideas. Who has a program to suggest?"
   Lucy stretched her hand up as high as she could get it, but she didn't catch Miss Chase's attention.       
   "Yes, Robin," Miss Chase said to a stout, red-headed boy.
   Robin stood up. "I have a valentine play I want to suggest," he said.
    Lucy sighed. Why did he have to choose a valentine idea too? But she listened attentively as he told about his play.
   "The scene is in ancient Rome," Robin said, "and you would have to have a big urn for this play. Every February 14th there was a spring festival and the Romans filled the urn with the names of great men and heroes, written on slips of paper. On St. Valentine's Day, every youth at the festival had to draw a name out of the urn and pretend to be that great man. We could do the same thing!"
   As Robin talked, Lucy pictured herself dressed as a Roman goddess moving across the stage in graceful flowing robes. It sounded like lots of fun. Still, she liked her own idea better.
   "Thank you, Robin," Miss Chase said when Robin sat down. "That's a fine idea. You will be the leader of your group if we choose your play for the assembly."
    She wrote "ROBIN'S PLAY" on the black- board. "We are going to hear all the assembly suggestions," she told the class. 

Again, Lucy put her hand up.

   "Then I am going to ask all of you to vote for the one you like best."
   Miss Chase looked around the room. Again Lucy put her hand up, and this time she even waved it a bit. But Miss Chase did not seem to see her, and called on Peter.
   "I want to give a valentine play too," Peter said. "Mine would be about St. Valentine him- self. I read that he was put in prison for not believing in the Roman gods. When he sent a message to a little girl he had cured of blind- ness, he signed it 'From your Valentine.' That was supposed to be the beginning of valentines, although hundreds of years went by before any more were sent." 
   "That's another good idea," Miss Chase said, and she wrote "PETER'S PLAY" on the black- board right under "ROBIN'S PLAY." Lucy thought about the two plays, and about her own idea too, and suddenly a new plan occurred to her which was so exciting she forgot to raise her hand at all! She heard Miss Chase saying, ''All right, Susan, you're next."
   "Mine is a valentine play, too," Susan said.
   "Another valentine play!" Miss Chase looked surprised. Susan grinned. "It's about birds," she said. "The story comes from a poem by Geoffrey Chaucer. We'd have to fix the stage to look like a garden. "Mother Nature stands at the top of a high flight of steps. Beside her is a beautiful lady eagle. Suddenly, birds of every size, kind and color come flocking around. Mother Nature speaks to all of them. 'You have come here, oh birds, as you do every Valentine's Day, to choose your mates and fly away. Eagles, you may choose first, since you are King of Birds.'
   "The biggest eagle begins to talk. 'Mother Nature, beside you is the most beautiful eagle in all the world. She should be my wife because I am the biggest and bravest eagle here.'
   "No! No!' screams another eagle, ''she should be my wife. I am the best-looking eagle here. I deserve the most beautiful wife.'
   "A plain little eagle cries out, 'Mother Nature, hear me. Hear me! I am the plainest little eagle, but I have the warmest heart. Let her be mine.'
   "Mother Nature asks all the flocks to choose between the eagles. But before they can choose, the wise old owl says that the lady eagle should choose her own mate. Mother Nature asks the lady eagle, and she, of course, wants the mate with the warmest heart.

   "So I'll be his, if he'll be mine
   And take him for my valentine.'

she says. . .  ''I'd like to act out that play."
   Susan sat down to the sound of loud applause.
   Quick as a wink, Lucy's hand went up and, finally, Miss Chase called on her.
   "I have two ideas," Lucy announced.
   "Two ideas!" Miss Chase looked amazed.
   "I think we should give Susan's play and Peter's play - they're both short. Then we can give Robin's play, but the names on the slips in the urn should be Washington and Lincoln and Betsy Ross, people we all know. Then we'll pick children to draw these slips from the urn and act out something from the life of the person they've drawn. The audience will have to guess who they are pretending to be, like playing charades," she said.
   "Yes, yes!" shouted the fifth graders, and, "That will be lots of fun.''
   "Children!" Miss Chase called. "Lucy hasn't finished!"

Mrs. Holly's valentine collection.
   "Well," Lucy said, "I know a lady named Mrs. Holly who has a collection of old, old valentines. Some are from Washington's and Lincoln's times and some are Victorian. They're all beautiful and she promised to bring them to school if Miss Chase gives her permission."
   "I'd like to tell about her collection and introduce her to the audience. Then we could end the assembly by having the children all come up on the stage to see the beautiful valentines."
   Everybody applauded Lucy as she settled happily back in her seat. There was no need to vote.
   "Well," Miss Chase said, "Lucy has certainly worked out our program for us, hasn't she? That's just fine, Lucy. I'm very proud of you. Please ask Mrs. Holly to come, Lucy, and I'll extend my invitation too, just to make it official."
   As soon as school was out, Lucy ran all the way to Mrs. Holly's house, and told her the good news.
   "Lucy," Mrs. Holly said, "of course I'd like to come, but wouldn't you prefer to show the valentines to the school all by yourself?"
   "Oh, I'd love to!" Lucy shouted, jumping up and down. "But I didn't think you'd let me."
   Mrs. Holly laughed her merry little laugh. "I'll let you," she said. ''And Lucy, I have a dress for a Victorian ball here in the house. My mother cut it down for me when I was about your age. Would you like to wear it? It will go well with showing valentines.''
   Would Lucy! She was almost too happy to breathe.

Mrs. Holly suggests Lucy where a Victorian ball gown.

Lucy gives a valentine presentation.

   The day of the program, she glided onto the school stage in the heavy brocaded gown and stood in front of a small table holding the valentine album. She showed the audience the comic valentines with eyes that moved and hats that lifted. She showed them the quaintly simple valentines from Washington's day, and the gloriously colorful ones from Lincoln's time. She pointed out how very romantic the Victorian valentines were. And then she gave her speech, which ended:
   "St. Valentine, Washington and Lincoln, and all great people belong in our February program. February should belong to everyone who loves his fellow man. As the valentines tell us:
   "How fine, how full of sweet delight
   Our lives will be when our hearts unite."
   Then all the children and teachers and many of the parents came in a long line up to the stage to get a closer look at the valentines. They told Lucy how much they had liked the program.
   Last of all came a surprise a surprise‚ ''Mrs. Holly!'' Lucy had no idea she was there.
   "Lucy," she said, "it was a beautiful speech. Because I enjoyed it so much, I want to give you this Victorian valentine as a present."
   She handed Lucy a frilly lacy valentine covered with hearts and flowers. A glass dew- drop clung to the stem of soft, blue forget-me-nots. What a dear valentine!
   As Lucy fingered it, she knew she would always remember this day. She knew too that this would be the start of a valentine collection. all her own.

Lucy begins her collection.

Dear Valentine, Part 1

The intro illustration.
    Lucy Ross beamed with pleasure as she came into the Antiques Show. Lucy loved old things. She always enjoyed going "antique-ing" with her mother, wandering through all the antique shops in town. But this show was like a hundred wonderful stores all rolled into one!
   "Lucy," her mother said, "this is a perfect place for your game of pretending."
   But Lucy was already in a dream world, imagining herself dressed in a hoop skirt and bonnet. As she walked along beside her mother, her eyes lit on a large four-poster bed with a bright yellow canopy. Tossed across it was a blue and red and yellow patchwork quilt. Lucy pretended that she was living in olden days and that this was her bedroom.
   She hardly heard her mother saying, ‚''I wish I could walk around with you. But I promised I'd take care of the refreshment stand this afternoon."
   "That's all right," Lucy said dreamily. ''I'll see everything." Suddenly her eyes lit up. "I might even find an idea for the class assembly program."
   "That would be wonderful," her mother said as she gave Lucy a big kiss. "My stand is right by the door if you need me."Goodby," Lucy smiled, returning the kiss.
   She floated on by herself, past a series of small booths. They were like little rooms with one wall missing. In one booth, gold bracelets, pins and rings sparkled on top of a long counter.
   Lucy did not stop.

A glass case filled with very old things.

   Farther down the hall she spied a real old-fashioned horse-carriage, painted shiny red and black. Only the horses were missing. Lucy hurried toward it, already imagining herself climbing up onto the seat. 

The old-fashioned horse-carriage.

The doll's tea party.
   "I wonder if anyone would mind," she thought.
   But, before she even reached the carriage, something else caught her eye! She stopped short and drew in her breath. "Oh, how lovely!" she gasped, looking into a charming little room.
   The booth was perfectly arranged to look like a small parlor. There was a little sofa and even a real piano. Best of all was the tea table, beautifully set with fine china and linens. Around the table sat almost life-sized dolls dressed in romantic old-fashioned costumes with big skirts and high waists.
   Lucy stared and stared, and suddenly her game of "pretending" brought them to life!
   "Do come in, Lucy," the hostess seemed to be saying. ''I'm so glad you've come to our our tea party."
   Enchanted, Lucy slid forward across the thick rug to the handsome mahogany tea table. Just as she was reaching toward a delicate china cup, a real voice sounded close to her ear. The proprietor of the booth appeared at her side.
   "I wouldn't touch that, if I were you," he said gently, pointing to a sign: "WHAT YOU BREAK YOU'VE BOUGHT"
    Lucy looked so sheepish, the man felt sorry for her. "Have you seen what's in here?" he asked, pointing to a gilt and glass curio cabinet in a corner of the room. Lucy scurried over to look.
   "What's this?" she asked, pointing to a lacy card in the cabinet.
   "That," the man said, solemnly lowering his voice, "is a very old valentine-very old." He got it out and held it importantly on the palm of his hand.
   It was a tiny, hand-painted religious picture surrounded by lace. "The nuns made it," he told her, putting it back in the cabinet.
   "Isn't it sweet?" Lucy said. "I do love valentines. I wonder when people started sending them?"
   The man rubbed his hands together. He seemed pleased that he knew the answer. "The custom began about five hundred years ago when the Duke of Orleans was captured in war and sent the first modern valentines from his prison cell."
   Lucy nodded, half listening, and squealed, "Isn't this one beautiful!" Carefully she lifted up a large glittering valentine from a lower shelf of the cabinet. She fingered its soft blue cloth forget-me-nots. They almost covered a red silk heart set in the center of silver-painted paper lace. When she opened the valentine she saw herself in a tiny mirror. Aloud, she read the poem below the mirror:

"Here's the face I'm glad I met
For you I never can forget.
How fine, how full of sweet delight
Our lives will be when our hearts unite."

   "That valentine is almost a hundred years old," the man said. "It's part of Mrs. Holly's collection."
   "Oh," asked Lucy, "who is she?"
Lucy reads the valentines.
   "Why, she collects valentines. That's her exhibit over there, near the grandfather clock." He pointed across the hall.
   Lucy thanked him and started eagerly down the aisle. She made a bee-line for Mrs. Holly's booth, at first, but it wasn't easy. There were too many attractive things to see. First a spinning wheel caught her eye, next a tinkling music box, and then a battered rocking horse. Of course, she had to get a closer look at each.   
   Without realizing it, Lucy had changed the direction in which she was headed. Suddenly she found she was in the wrong aisle. Nobody here had heard of the valentine exhibit. Lucy tried a different aisle. It seemed very crowded with people, but suddenly a merry peal of laughter made her turn around. Behind a long table stood a tall and lively lady with perky white bangs. She had a big lavender bow under her chin. A great many people were standing around her table, looking through albums of some sort, and at that moment one of them called the lady by name. She was none other than Mrs. Holly!
   Lucy edged in towards the table, and Mrs. Holly soon noticed her. ''Are you interested in valentines, little girl?" she asked. 
   "Oh, yes, Mrs. Holly," Lucy answered. To her delight, Mrs. Holly pushed a large album across the table to where Lucy stood.
   The album was open to a page headed, "VALENTINES FROM THE DAYS OF GEORGE WASHINGTON." The valentines were very simple, hand painted on yellowing paper. Tiny hearts and birds caught Lucy's eye. A rhymed note on one valentine asked for a lady's hand in marriage.
   Lucy turned the page, and here the valentines were very different. The colors were many and varied, and they were printed on pretty paper which itself had a raised design. There were even little embossed envelopes to match. Each of the small pictures was surrounded by white or gold lace. "VALENTINES FROM ABRAHAM LINCOLN'S DAY," read the typed heading.
   Suddenly Lucy was caught up in a marvelous new dream, a dream she felt could really come true. She imagined herself standing on the audi- torium platform with all her schoolmates in the audience. She was making a poetic speech about valentines and the whole school applauded her. Then she introduced Mrs. Holly and her collection! Wouldn't it be wonderful if Mrs. Holly would really come to the next school assembly?
More antiques in the shop... a spinning wheel, an old clock and a rocking horse.

   Right then and there she decided to ask her. Mrs. Holly was still busy chatting with several grownups, but Lucy decided that as soon as she could get Mrs. Holly's attention, she would invite her. Meantime, she turned to another page in the album marked LATE VICTORIAN."
   "Oh," she exclaimed, "these are the best!" These valentines were very fancy and very lacy. Lucy pulled a string on a paper rose and the paper sprang up like a spider web. She opened a paper door on another valentine to see what was behind it. As the door swung open, it revealed another, even lovelier valentine, covered with hearts and flowers.
   Just then Lucy looked up and, for a wonder, Mrs. Holly wasn't busy. She smiled at Lucy and walked over when Lucy called her.
   "Well, sweetheart, what can I do for you?" Mrs. Holly asked cheerfully.
   "I just love your valentines," Lucy said, ''and I was wondering if you could possibly come to my school and show your collection for the February assembly? Our class has to give the program," she added.
   Mrs. Holly beamed with pride. "Why, that might be fun," she said. "How would your teacher feel about it?"
   "I know Miss Chase would like it," Lucy assured her.
   "Well, I'd love to come and show my collection, but you'd better ask Miss Chase first." She fished in the pocket of her dress and came up with a small card. "Here's my address,'' she said, "And what's your name?"
   Lucy told her and thanked her and altogether was so excited that she hardly remembered to say goodby. 

Valentines from when President Washington lived.

Late Victorian Valentines.

Sunday, January 26, 2025

A paper stage and paper doll performers to color, cut and assemble...

Fit the theater printable to measure 8 1/2 x 11 inch paper. See explanation here.

       As usual you will need to enlarge the stage to fit a standard 8 1/2 x 11 inch sheet of typing paper inside of a Word Document before printing it out. The small paper doll performers, however, should print out the correct size without any enlargement at all.
       These performers are from Shakespeare's "Midsummer Nights Dream." They include: Nick Bottom, Helena, Lysander, Puck, Demetrius, Oberon, Hermia and Titania. Color them as you like and enjoy this miniature paper theatre!

Paper doll characters from
"A Midsummer Nights Dream"

Thursday, January 23, 2025

DIY a couple of lovely Autumn cakes!

An Orange Spice, Pound Cake topped
with red berries.
        On the left, is our doll's orange spice pound cake. I recycled a vintage JELLO, mold to make the body of this cake. The oldest molds are made of metal and not so easy to unmold contents from so, I felt no guilt when using the tin for a doll cake ultimately. I sanded the outside of it's surface lightly and then painted it a warm, spicy brown color that looks very close to the real thing. 
       In order to mimic vanilla icing, I layered several coats of white puffy paint wherever I thought most aesthetically pleasing. While the puffy paint had not yet dried, I pushed some tiny artificial, red berries into the faux icing. 
       To make a nice sized plate for the cake use a recycled tin bottom from a can or you could use a plastic lid if these are easier for you to come by. Cover whichever recycled item you have with tacky white craft glue and decorative paper. 
       I glued my spice cake directly on top of the platter and then pasted additional red berries around the faux Autumnal cake for display in our large dollhouse during the Fall season. A cake like this also makes a lovely Thanksgiving dessert display. 
       Our second Autumn themed cake is two tiered, with white vanilla icing and fondant shaped fall colored leaves. Each leaf is painted in brilliant reddish-orange colors. The top edges are accented with Styrofoam beads. 
       This cakes two tears are two bottle caps stacked on top of each other, held in place with tacky craft glue. 
       Layer on Mod Podge to seal both desserts so that these will remain cleaner and stronger longer.

This classic, two tier, vanilla cake is decorated
with tumbling fall leaves.

See how other doll crafters make Fall cakes:

Saturday, January 18, 2025

Color in these Mardi-Gras printable masks for your dolls...

        I've drawn these domino doll-sized masks for students to color, cut and paste onto cardboard for their dolls. Use an embroidery needle to thread twine or ribbon through opposite sides of the mask nearest to the eye-holes on both sides.  Knot one end of each tie on both sides to prevent the twine from slipping out of the hole. Tie the mask around the doll's head to secure it for play. Oh, and don't forget to cut out the eye-hole from each mask.
       There are more child-size masks similar to these at the Crayon Palace here. You and your doll can dress alike for a parade!

Students may also attach a toothpick to one side of domino masks so that their dolls can carry them.

Friday, January 17, 2025

Color this famous English wooden doll

Description of Coloring Page: fingerless gloves, court costume, wooden, hand-painted doll, English doll from 1770, stripes and lace trimmed gown

Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.

Color the doll with a beauty spot!

Description of Coloring Page: wooden doll, court costume, seated in a wooden chair, beauty spot, Doll in Victoria and Albert Museum collection

Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.

Patterns for two different court jester stick puppets...

Two examples of Mardi Gras or court jester stick puppets using my
patterns below.

        To make our versions of court jester stick puppets your will need: green, purple and yellow construction paper, pom poms of the same colors, my printable pattern below, recycled paint stirring sticks or old wooden rulers, white school glue, colored pencils and cardboard.

Step-by-Step Instructions:

  1. Print out my pattern on your home computer or at school. 
  2. Cut it out to trace around on top of either construction papers or decorative scrapbook papers. 
  3. Assemble and paste the parts to a stronger piece of cardboard.
  4. Cut the cardboard out carefully and mount each court jester to a wooden ruler.
  5. Cover the parts of the ruler that might show with additional colorful papers.
  6. Color in the faces using pencils, crayons or watercolors depending on what you have on hand and what you are comfortable using. Students may copy the faces that I have shown above or make-up their own versions instead.
  7. Glue on pompoms, let dry.
  8. Seal with Mod Podge later if you wish!
 
These puppet printables are made by me for young students to use freely.
They are copyrighted and not intended for sale.

The court jester could commit 
''tomfoolery'' without prosecution?
       A court jester was an old-fashioned stand-up comedian that was employed by a nobleman or by royalty to entertain the company of their wealthy hosts. 
       The jester could do magic tricks, tall jokes, act-out skits, juggle, etc... They could entertain at anyone's expense without prosecution by the law or king.
       Jesters wore outrageous colors and patterned costumes, especially in Shakespeare's plays. Today, jesters are often seen at Mardi Gras celebrations wearing antiquated fashions. 
       Jesters do not dress like modern-day clowns. They rarely wear face-paint, perform at circuses or drive tiny cars in parades. Court jesters are considered to be a bit more sophisticated in their chosen 'art.' In fact, they are notorious for their political humor, but perhaps this is more the fault of Shakespeare than anyone else.
More About Court Jesters:

Thursday, January 16, 2025

The Izannah Walker Dolls

Izannah Walker doll from the Little
 Compton Historical Society.
       Izannah Walker was an important early American doll maker born in Rhode Island in the town of Bristol. She came from a relatively large family including four daughters. But by the time Izannah was 8, both of her parents, Gilbert and Sarah had died and she and her three sisters were relocated to Somerset, Massachusetts to live with their aunt and uncle.
       She started her small cottage industry in the 1840s and she was an active participant in every stage of the dolls creation. Izannah was said to have used her own hand press and dies for the shaping of the doll heads and bodies, according to her niece, but that the fingers and toes on the doll's hands and feet were each individually sewn on.
       Each of her dolls was painted with a baby-like innocent expression much like the American primitive paintings of Colonial child portraiture. (See portrait examples of primitive American children that influenced the Izannah Walker dolls.)
More About Izannah Walker Dolls:
       Through the alertness of Mrs. Edward Singsen, the following additional interesting history of the Izannah Walker doll was obtained which places the date of the original, non-patented doll from 1848 up until the patent of 1873.

From Philomena Hart's Column in the Providence Bulletin.

       "Mrs. N. M. R. wrote me a fascinating account of a doll which she thinks is the predecessor of the Chase Doll of Pawtucket. It was made in Central Falls by Miss Izannah Walker. (1817-1888) She was the aunt of my correspondent who says of her, 'Always inventive, she had created a stockinette doll as early as 1848 when my mother was a little child in New London, Conn. Family tradition tells of her struggle to perfect her work and of the long wrestling with one problem, how to obtain a resistant surface to the stockinette heads, arms, and legs, without cracking or peeling. With this problem on her mind, Aunt Izannah, suddenly sat up in bed one night to hear a voice say 'use paste.' It worked. And so she was given a patent in 1873 for 'Improvements in the Manufacture of Dolls.' Aunt Izannah always deplored the fact that she was not a man. However she made dolls and doll furniture, tinkered with household gadgets, designed a parlor heater, 'that beat Ben Franklins,' raised canaries, dabbled in real estate and was looked upon with admiration by male contemporaries because of her skill with carpenters' tools, so perhaps she was resigned. She used her own hand press and dies for the shaping of her dolls' heads and bodies; all of the little hands and feet were hand-sewn."
 
Doll and molds by Bates modeled after Izannah
Walker's designs? The molds are made
of cast iron.
       This letter to Mrs. Hart was from Mrs. Norman M. Robertson, the grand-niece of Miss Walker, who was Mrs. Robertson's mother's Aunt Izannah. Mrs. Hart, who wrote the column, in a Providence, Rhode Island newspaper, passed on not long ago.
       This proves, without any shadow of a doubt, that the Walker doll existed some twenty-four years before it was patented. Calling upon Mrs. Robertson, the grand niece of Miss Walker, Mrs. Singsen obtained the history of the career of the doll maker which was substantially that written up by Mrs. Hart. The family came to Central Falls in Somerset, Mass., and the first dolls were made for friends. One, owned by the family, and now out west, is one of the very earliest. and is practically life sized. Izannah Walker had three sisters, and as the business began to develop she put them to work painting the doll faces. There were also black skinned dolls made, but these Mrs. Robertson said, had wool hair instead of painted on hair. From 1845, when the first doll is supposed to have been made, until she died in 1886, Izannah Walker carried on the business, not securing a patent for her method until persuaded to do so by friends in 1873.
       This additional information about a highly cherished example of an early American doll is indeed welcome. Collectors can, however, be doubly grateful to Mrs. Singsen for she has added to the data of this particular era of doll by making the amazing find of a rag doll with its original mold. Although undoubtedly inspired by Izannah Walker, this doll was created by a man named Reuben Harlow Neal Bates who was born in 1802 in Attleboro, Massachusetts. He was a pattern maker all his life residing for a number of years in Providence, Rhode Island probably about 1840 until his death. He was employed by the Barstow Stove Manufacturing Company and it may have been during his work there that he developed the mold from which the 'Bates' doll was made.
       This mold is most unusual and interesting for it is of iron and therefore very heavy. One half, fitting down firmly and tightly on to the other, pressed the features and head into the desired shapes.
       Izannah Walker commenced making her cloth dolls in 1840 and the similarity. in type is what makes one believe that Reuben Bates had her dolls in mind when he made his own mold. So far as is known his dolls were never offered for sale. Perhaps they were made for his own large family, or for his friends.
       "The body of this most interesting specimen," writes Mrs. Singsen, "is well made and is covered with blue cloth. The pattern for the body was in the possession of the lady from whom the doll was obtained as well as the mold, her husband having been a descendant of Reuben Bates, but at the moment she could not locate it. In the photograph, the mold to the right, is, of course, the hollow part. Note also that the doll's mouth is slightly crooked and that one eye is higher than the other."
       This rare find is the kind of discovery that keeps the doll collector ever on the alert and prevents the hobby from becoming a static thing. There is always something new to unearth, to ponder and to study.
       It is not easy to find an example of an Izannah Walker doll today." 
       That fact alone makes it most interesting to study the few pictures of the dolls found on the internet today.

Exploring American Cloth Dolls with Carol Cameron

Read the Original Patent Information on the Izannah Walker Doll Below.

The illustration included with the patent of 1873.

UNITED STATES PATENT OFFICE.
IZANNAH F. WALKER, OF CENTRAL FALLS, RHODE ISLAND.
IMPROVEMENT IN THE MANUFACTURE OF DOLLS.
Specification forming part of Letters Patent No. 144,373, dated November
4, 1873; application filed June 28, 1873.
To all whom it may concern:

   Be it known that I, IZANNAH, F. WALKER, of Central Falls, in the county of Providence and State of Rhode Island, hav invented a new and valuable Improvement in the Manufacture of Dolls; and I do hereby declare that the following is a full, clear, and exact description of the construction and operation of the same, reference being had to the annexed drawings making a part of this specification, and to the letters and figures of reference marked thereon.

  • Figure 1 of the drawings is a representation of a transverse section of my doll.
  • Fig. 2 is a view of my press. 
  • Fig. 3 is a view of my die; and 
  • Fig. 4, a view of my doll completed.

   This invention has relation to the manufacture of dolls; and consists, mainly, in the secondary or double stuffing next to the external or painted layer, whereby, with a sufficient soft surface, the tendency of the paint to crack or scale off is obviated.
   My doll is inexpensive, easily kept clean, and not apt to injure a young child which may fall upon it. It will preserve its appearance for a long time, as the soft secondary stuffing under the stockinet or external webbing enables it to give under pressure, so that the oil paint will not scale off. At the same time the inner and more compact stuffing prevents ordinary pressure from forcing the surface in to such an extent as to crack the paint.
   What I claim as new, and desire to secure by Letters Patent, is- In the manufacture of dolls, the combination, with the external webbing, the internal cloth forms, and the inner packing, of the secondary or outer stuffing between said forms and said external webbing, substantially as specified. In testimony that I claim the above I have hereunto subscribed my name in the presence of two witnesses.

IZANNAH F. WALKER.
Witnesses:
ROWLAND H. FRY,
G. F. CROWNINGSHIELD.
Izannah F. Walker doll patent No. 144,373.

Baby in Red Chair, 1800-1825 by unknown primitive American
artist. Oil on canvas. 22"x15 1/4th inches. In Abby Aldrich 
Rockefeller Folk Art Collection.
       "Above, Sentiment, probably the strongest motivating force in the production of folk art, is strikingly apparent in this whimsical portrait of a small sleeping babe. Such a personal expression of family life captures a fleeting moment as effectively as a snapshot would today. The portrait demonstrates the endearing quality of folk art - an emotional directness which is seldom found in more formal portraits."

Mary Jane Smith at age 2, 1838. by Joseph Whiting Stock from
Massachusetts. Oil on canvas 42"X30 1/8" inches.

       "Mary Jane Smith was the daughter of David and Harriet (Griffin) Smith from Springfield, Massachusetts, and sister of William Howard Smith. She died at the age of eighteen from an illness contracted while working at a Methodist revival at the Pynchon Street Church. Her father was an ardent Methodist, and Mary Jane is said to have inherited his religious fervor."

Return to the Doll Guide Index Page 

Tuesday, January 14, 2025

The Two Dollies

 The Two Dollies
by F. K.

I always dress the Princess Clare
In white with pale blue bows;
She is a most well-mannered doll,
And careful where she goes.
She never soils her muslin dress,
Or makes her slippers in a mess.

But Lady Maude is always getting
Some ugly-looking tear;
Or else her hat has had a wetting
And isn't fit to wear!
And though I give her lovely sashes,
She gets them spoilt with muddy splashes!

A doll who acts so carelessly
Will have to wear a sack!
With just a piece of string to tie
A sash behind her back!
You cannot let her wear pink silk
When she upsets her bread and milk!

But Princess Clare goes out to tea,
And often has a treat;
You know wherever she may be
She will be clean and neat.
A child like this is quite a treasure,
To take her out is such a pleasure!

Monday, January 13, 2025

Craft miniature plant stands for a doll's garden or home...

Two miniature plant stands
 for the dollhouse garden areas.
   Plant stand tables may be cut to fit any space where these are needed inside of a dollhouse or garden space. I made these plant stands to sit beside metal chairs and so ours are painted in similar colors to go with the doll's outdoor funishings. 
   The potted plants are made using tiny beads and plastic plants glued inside of the bead openings.

Supply List:

  • scrap cardboard
  • paper wrapped wire 
  • transparent ornamental black line stickers
  • green teal and black acrylic paints
  • two fancy beads
  • tiny plastic plants
  • white school glue
  • bit of tissue paper
  • tiny pliers (optional)
  • Mod Podge
Step-by-Step Instructions:
  1. Cut a tiny tabletop from cardboard to match the size of the decorative stickers.
  2. Paint the table top and then stick the sticker on top.
  3. Cut a narrow slice of cardboard to glue around the tabletop for the edge of the table. Glue this on.
  4. Turn the tabletop over and attach the wire stand underneath with tape and glue. Let dry
  5. Paint the table legs black to look like cast iron.
  6. After everything dries, you may opt for gluing on the "potted plants"permanently or not.

The wire legs are constructed from recycled wire that comes from the market.
The stickers are "see through'' with black decorative images only.
Left, here you can see that the wires are attached underneath with glue.
Right, after the glue has dried, I shaped the ends of the legs into tiny curled feet.

Saturday, January 11, 2025

Clip, Twist and Assemble Pipe-Cleaner Christmas Trees!

        Mini pipe-cleaner or chenille stem Christmas trees are very old-fashioned indeed! Children have been making them for over 100 years. There are several methods for bending and assembling the limbs of these small beauties and once the limbs have been trimmed with tiny ornaments, the finishing results are perfect for display inside of any dollhouse or on top of a real mantle place within a display.

Tiny dollhouse tree
5 methods for pipe-cleaner tree builds:

  1. The snowflake method - as seen on Martha Stewart here
  2. The cone and loop method - as seen here by diyhandmade77
  3. The quick cone wrap method - as shown here on our blog
  4. The mini trees made with wave chenille stems - as seen at happy-as-a-lark-designs
  5. The multiple stem assembly method described on this post from beginning to end. This is the same assembly method used when building a feather tree.

       Miniature dollhouse trees look festive next to a fireplace, on a mantle or as a little tabletop tree in any nook or corner of doll's room.

Supplies Needed:
  • chenille stems (one bag)
  • masking tape
  • one recycled egg carton
  • 10 cotton balls (more or less, depending on size of tree)
  • one pencil or one chopstick
  • white school glue
  • decorative paper scrap for the stand (optional)

Step-by-Step Assembly of The Faux Fir Tree:
  1. Cut and twist multiple branches for your mini tree. You will need four branches (2 1/2 inch long). Twist around the outer most tip of each branch a one inch length of pipe-cleaner to form two smaller branches on either side of each of the four top branches. 
  2. Cut and twist the next level of branches a little longer with one more extension of side branches in four to five identical copies for every successive addition of branches your tree will have as you work your way down the trunk. Cut and twist all of these branches prior to the entire tree assembly. I made four levels of branches for the white tree shown below. Then I made five levels of simpler branches with fewer limbs extended from each branch for the green table-top tree shown above.
  3. Reserve one of the branches to be the uppermost top of the tree. This will be attached over the tip of the pencil or chopstick prior to the assembly of the tree's body with masking tape. You may choose any of the branch types from your stock pile for this upper most tree top. This is also a quick and easy way to give your mini tree added height.
  4. As you begin to assemble your tree remember that is it perfectly acceptable to add or eliminate branches according to your own sensibilities. Fir trees are not perfectly formed by any means; some have very abstract placement of branches. Not every fir is uniformly ''cone shaped'' and if you have one that is less uniform, it will look just as nice decorated for Christmas among your dollhouse things. Bend the tip furthest from the ends that are fashioned for the outside of the tree form down approximately 1/2 inch. Attach this bent portion to the pencil or chopstick trunk using masking tape.
  5. Then cover the tape either brown paper and glue for a natural looking trunk or white cotton batting layered with glue for a white Christmas tree trunk. Cover the trunk as you go adding more branches to the tree. 
  6. Allow for there to be one to three inches of trunk at the bottom of your tree so that the trunk may be secured inside of a ''stand'' of your own making. Both of my example Christmas trees here have their trunks inserted inside of egg carton cups for stands. Be sure to stuff the inside of these paper mache with foil, shredded paper or cotton balls around the trunk parts within so that this stiff material will hold the tree in place. 
  7. Seal the bottom of the tree stand with a scrap piece of cardboard, tape and glue. 
  8. Cover the stand with decorative paper, trims or cotton if you want the stand to look like ''snow'' packed around the tree.

More American Girls Show Off Their Doll Christmas Trees:

DIY Captain's Caps for Doll Mardi Gras

A purple version of this captain's cap has both ribbons and a
pearl-like button to finish it's surface.

My green doll cap is trimmed with silk petals and floral ribbon.

The gold cap is trimmed with gems, metallic paper and ribbon.

         "A captain's cap is in fact a peaked cap, peaked hat, service cap, barracks cover, or combination cap is a form of headgear worn by the armed forces of many nations, as well as many uniformed civilian organizations such as law enforcement agencies and fire departments. It derives its name from its short visor, or peak, which was historically made of polished leather but increasingly is made of a cheaper synthetic substitute." Wikipedia.

       To make doll versions of Mardi Gras captains hats you will need the following craft supplies: clean and recycled toilet paper tubes, extra cereal box cardboard, masking tape, acrylic paints, hot glue gun and hot glue, tacky white craft glue, colorful yellow, green and purple scrap papers, trims like: acrylic gems, jewelry parts, buckles, laces, fancy ribbons.

Step-by-Step Instructions:

  1. Make the basic captain's cap using cardboard tubes. The size of the tube should be dictated by the size of your doll's head. Even though I've used a toilet roll tube for the example caps shown here; crafters may just as easily use larger tubes for larger 14'' or 18'' dolls etc...
  2. Cut the tube lengthwise so that it may be cut properly before tapping it back together with masking tape. The cap must be shaped equally on either side of the slight peak in its middle. This is made a much easier task of the tube is temporarily flattened as you cut.
  3. After taping the sides back together, trace around the little caps outside walls to transfer the shape needed for it's top.
  4. Cut the top from scrap cardboard and tape it in place. Seal up all the cracks with tape on the outside.
  5. Turn the cap over and glue along the seams using white tacky glue. Let dry.
  6. Cut a cap brim to shade the doll's eyes. Attach it to the bottom edge like a visor using tape.
  7. Using the white glue cover the entire surface of the cap with colorful papers. This will give the cap strength and cover all of the flaws.
  8. Now you can decorate the Mardi Gras captain's hat with all kinds of fancy trim. I've included my versions above. If you have adult supervision, us a hot glue gun to make your attachments quicker and easier.

Left, recycled toilet paper tubes, center, tubes cut horizontally and right, sides reattached using
masking tape. The top of the cap has been traced and is ready for cutting out.

Left, the brims for the caps are cut out. Center, every surface is masked for strength. 
Right, the inside of the caps are shown as well.

What the little doll caps look like after these have been covered with colorful construction paper.


Make your own Mardi 
Gras Hat by Creative Hands!