Wednesday, August 5, 2026

Barbie & Ken Paper Doll Fashions from 1974

        These are the vintage "Sun Valley" fashion paper dolls by Mattel published in 1974. This collection included two paper dolls with plastic stands and 31 pieces of Sun Valley Wardrobe selections! All items were precut, no scissors needed. 

Ken and Barbie dressed for shopping downtown and grabbing a bite to eat.
Barbie wears a smart red patterned suit with ruffled blouse and mini
skirt. Ken wears fashion forward gold plaid shirt, bright red
jeans and classic brown leather belt.


Left, Ken in a sporty leisure suite and Barbie, right, in a silky sport dress with gold chain at waist
and fur collar at the neckline. 


Barbie shows her bare shoulders with sleeveless candy stripped blouse. 
Her cinched waist is further flattered with blue jean wrap around
skirt and a cute little matching blue jean bag.


See Barbie's cute print suite and hat to match closer up. Now Ken on the left wears a classic
1970s style Argyle sweater vest with a tight camel neck sweater beneath.


Barbie will look so chic on the slopes wearing this bright red jumpsuit 
and short waisted sky jacket with fur trim!


Here is Barbie in an Asian inspired cut coat and bright blue slacks.


Left, Barbie and Ken show off more casual wear in cool lime, bold sky blue and grey plaids. 
Right, Barbie  just loves this Kelly green wrap skirt and an adorable stripped turtle neck 
with a embroidered "B" for Barbie stitched just below the neck.


Barbie and Ken are ready for the tennis courts in the latest sporty
fashions with rackets. Don't know about those shoes though...


Now our Sun Vally sweethearts are dressed for a romantic prom night.
Barbie in a sheer red prairie gown and Ken in his polyester baby blue
and black leisure tuxedo. Just look at his cool black velvet bow tie!


Barbie ends this fashion exhibit with a sky blue shaw and matching
wrap mini skirt; these go so well with her eye color.

Historic winter paper dolls from the far north . . .

Native Alaskan paper dolls in their historic parkas dressed for extreme temperatures.
Find more native Alaskan paper dolls in color here. and See authentic indigenous doll
 carved by natives here.

        The native people from the far north
 wore clothing that was so perfectly adapted to their needs. The principal fur garments of the Eskimo were the parka — sometimes called the artega and trousers. In winter two parkas were worn, one with the fur inside and the hood edged with wolverine, and the other with the fur outside was trimmed with wolf-skin. The frost didn't form on wolverine, so that is was next to the face and troublesome icicles were avoided, while the long hair of the wolf when it blew across the face served to protect the skin from the wind. The parka was made of caribou, or reindeer skin, since it was light and warm and not so valuable in trade as the fox, bear, or marten. The fringe around the bottom is of wolverine. 
       The Eskimo woman must have been a very busy person. She made most of the household utensils, she helped in making the kyak or canoe by sewing together the sealskin covering with a lock-stitch, water-tight seam in which all Eskimo women were skillful. She cared for the whale-oil lamp which warmed the house and cooked the food; and that was an art in itself since it must be kept from smoking. 
       When the igloo was made of ice, the temperature was kept just below freezing or the walls would melt. Of course she must of cooked the food and cared for the children. There were no ready-to-wear shops in the polar country; therefore every article worn by herself or her family was sewn using an ivory needle. She kept the other women of the igloo busy, too; the old ones at chewing the reindeer sinews into long, pliant threads which did not rot in the garment, and the girls at moulding, with their teeth, leather soles for the warm boots or mukluks, which, when completed, fit their feet in a very comfortable way. The black boot soles were made deep enough to hold thick pads of dry grass. The boots and the socks worn under them in the winter were made of brown and white fawn skin taken from the leg parts of the reindeer where the hair is short and strong. Straps held the boot tightly around the ankle. 
       The Eskimo mother did not bother about baby clothes; for, until they were able to run about alone, the little naked babies were carried in the mother's hood next to her skin. 
       The straight Eskimo's hair was black and there was little opportunity for brilliant colors in your paper doll's costuming reflecting that era. Use gray and brown and black, for the furs. But the bead designs may be colored brightly for these historically accurate costumes.

More About Traditional Native Clothing:

Tuesday, August 4, 2026

How to make a prairie doll scarecrow . . .

This doll-sized scarecrow, dressed in antique
calico would give any bossy crow a fright!

      The antique calico for this scarecrow figure makes her look as though she has been warding off crows for a century! Her frightful poppy pod head looks like a dried, old gourd and her rusted tin cans, if real, would clank fiercely while whipping in those prairie winds. I think our Ingles girl dolls would be proud to stake her in their Pa's cornfield!
       This craft may be accomplished with some help from an adult. Older children will be inspired but younger ones will probably be more successful making a paper scarecrow that I included on this blog several years ago.

Supply List:

  • one poppy seed pod dried (hollow)
  • two skewers
  • masking tape
  • hot glue
  • vintage or antique calico
  • small burlap scraps (for hair) use recycled rice bag
  • metal tape for mini tin cans (or silver paints)
  • 4 or 5 old pencils 
  • hack saw
  • acrylic paints for facial features and or a black permanent ink marker
  • thin wire
  • thin jute twine
  • small bit of batting 
  • scrap cotton for body shaped like a bag
Step-by-Step Instructions:
  1. Poppy seed pods are common enough in the dried flower market place. Once you find one it makes a lovely scarecrow head: make sure you empty the seeds into the trash before making this craft for kids. You can do this with a Exacto knife. Cut a small slit somewhere on the pod that will be covered by a bonnet or hat. The seeds are quite tiny and will easily pass through a narrow incision. Shake the pod over a trash can until you can no longer hear the rattling sound.
  2. Cut one skewer to make a cross bar for the pod head to be attached to. You may use hot glue and masking tape to secure the cross brace and pod head on top. Set the rough body aside to then make the detailed can and hair additions. 
  3. Parents may use a hack saw to remove the metal band and erasers from four to five pencils. 
  4. Make them into convincing tin can miniatures by wrapping these in metallic tape. 
  5. Hot glue or tape these onto a thin wire leaving plenty of the wire on each end so that the cans may be strung by twisting them onto either side of the skewer cross bar after dressing the prairie scarecrow figure.
  6. Paint on a bit of brown acrylic to age these so that they match the antiquated look of the scarecrow's costume.
  7. To craft the wig of the prairie doll, cut a large rectangle from a recycled rice bag. Or, a scrap of burlap fabric alternatively. 
  8. Carefully pull the weft from the rectangle scrap to create the wig.
  9. Wrap the warp strands into two braids and hot glue these onto the pod. I choose to turn my poppy pod upside down and use the natural 'flower stigma' as the doll's dress collar.
  10. Next, cut out a small bag-like shape for the scarecrow torso. Stuff this with a little batting or a couple of cotton balls if you prefer. Glue it over the cross section of the skewer body. Let the crossbar poke through this fabric. 
  11. If you want to give your scarecrow arms, now would be the time to attach these to the cross brace. I chose not to however, our bird prevention is much older than a modern variation. 
  12. I then, sewed a second bag shaped dress from a long tube of antique calico. It literally shredded as I worked with it! It is that old, folks. But, given this scarecrow should be scary, I thought "the more shredding . . . the spookier!"
  13. I shaped a rough bonnet for my prairie doll with a square of calico and a few straight stitches. Then hot glued it in place over the braided wig. 
  14. Then I twisted the tin cans over the skewer cross bar and hot glued a raffia bow to her back.
  15. To draw a face like mine you can use a permanent ink pen. 
  16. Paint the whites of her eyes, her rosy cheeks and triangle nose using acrylic paints.
  17. Lastly, tie on or hot glue her directly to the second skewer leaving a long length of it to stick into the ground of your doll's pretend corn field!
Left, the metal eraser tips have been cut off of pencils to make miniature cans. Right, wrap
these 'tin cans' with metal tape to make them appear as convincing cans. Paint them with
rust or brown paints to give these a bit of age. You can see the wire above also attached
with tape. Now the scarecrow will make noise and reflect light in order to ward off
hungry crows form our pretend corn fields!

I recycled the burlap from a rice bag to make this prairie doll scarecrow's wig. See another craft
made from the same recycled material here.

Left, the stuffed body bag underneath my doll's costume. Center, the doll's costume completed.
Right, a detailed photo of the rusty old tin cans attached to our scarecrow's waist. These
clank and clatter in the wind to reflect light and make noise that will theoretically 
scare away crows. 

Left a close-up photo of the scarecrow's facial featured applied with permanent ink pen
drawing and acrylic painted cheeks, nose and eyes. Right, is the raffia bow hot-glued
on to the backside of the scarecrow.

Find many more prairie crafts at the camp page listing here . . .


Winsome wisdom from Pa about Halloween spooks and pranks...
Video by Little House T.V. series at Youtube.

Friday, July 31, 2026

Make mini doll bunk beds for peaceful Winter nights...

This version of doll bunk beds is made inside of a shoebox with an attached lid. It may be folded up
and stored away neatly inside a closet or under a bed when it is not being played with. Not only
would a child love to craft it for play, but also a grandparent or aunt may enjoy making a toy
 like this to keep for a grandchild or niece's visit during holidays or long weekends. 

       What a treasure it would be to pull this from a cabinet or trunk to present to a young visitor for playtime! Invest a few dollars for mini dolls or make these yourself to include with the set. Small, seldom seen toys like these can make special visits with a relative or close family friend 'magical' to a young child. 
       When I was a very young girl, some of my most precious memories were of visits to an elderly aunt. This aunt married late in life and had no children of her own. However, she lived in a very charming home on Lover's Lane in St. Joseph MO.the very same street written about by poet, Eugene Field
       Inside her home was an enchanting hidden room. In order to get into this room, an adult had to pull a small set of stairs, attached to a rope, down from the ceiling. This hidden staircase led up into a vaulted space under exposed rafters and spider webs. The only light at the end of the narrow attic space came from a tiny window. 
       There were boxes of Christmas ornaments, a dollhouse with tiny furniture, and a small wooden cradle kept in this attic room. The quite enchantments of this space fed by childhood imagination for hours it seems, although I seldom had the chance to visit it, only a handful of days within my young life - before she passed away.

A shoebox provides ''a hidden room'' for a child to play with her own small dolls, while visiting
with a godparent, grandparent or some other family relative. Simple delights like these, make
 happy memories for little ones. They will treasure them even more after growing old and
recalling the time they spent in the home of a kind friend.

Supply List:

  • a large shoebox with attached lid
  • night themed scrapbook paper with moon and stars
  • additional scrapbook papers for other elements
  • white school glue
  • Winter snow scene (recycled greeting card)
  • more scrap cardboard
  • fabric for bed covers
  • cotton batting stuffing
  • dowel rods and skewers for the bunkbed (ladder)
  • two cotton balls and grey lint from dryer trap (ladder)
  • black thread and two paper clips (ladder)
Left, oval window cut from Christmas card over the top bunk. Center, bunk beds minus the 
overstuffed bedding. the walls are papered, a small shelf is glued in place in the corner of the
lower bunk so that an alarm clock or cell phone or framed photo may be placed there. 
Right, the snow is falling outside the window made with a recycled Christmas card.

Step-by-Step Bunk Bed Instructions:
  1. Select a shoebox in a size that will accommodate small five to eight inch dolls. In my sample, I chose a shoebox with an attached lid this time.
  2. I cut two platforms for the bunk beds from scrap cardboard and glue these in place. The lower platform is suspended 1 and 1/2 inches from the bottom of the box so that a small ladder may be stored beneath the lower bunk bed while the shoebox is in storage and then removed to give the doll that sleeps in the top bunk a way to climb into bed.
  3. Use masking tape to hold the plate forms in place while these dry. 
  4. Apply white school glue and decorative papers to all of the walls and platforms inside and outside of the shoebox. I chose a dark blue Christmas paper for the outside of the box. It depicts lovely silhouettes of snowflakes and leaping deer. 
  5. For the interior, I chose to coordinate snowdrift prints with a blue celestial wallpaper. 
  6. Opposite the bunk beds is a wall with a decoupaged window and shelf just above it. The cardboard window frames a Christmas card of a snowy winter night. In this view there are white pine silhouettes and a starry night sky.
  7. Both the shelf and the widows are decorated with a ''curtain and garland'' made from laser-cut papers. These look like white lace. 
  8. For both of the bunk beds, you will need to cut and stuff mattresses, bedding and pillows. I chose to sew with a stripped fabric for the mattresses because this material reminded me of my grandmother's feather bed mattresses I slept on as a child. These were covered in stripped ticking; a kind of heavy canvas that prevents goose down feathers from escaping the mattress. 
  9. Measure the interior of each bunk bed, both the length and width, and cut small rectangular shaped mattresses to fit. Just sew the material with right sides together using a straight seam and leave a two inch opening to turn the 'pocket' right sides out and stuff with cotton batting stuffing. 
  10. Whip stitch the opening shut and cut sheets to fit each little mattress. I chose to use a white cotton, somewhat transparent for the covering of our doll mattresses so that the stripes would show through. 
  11. Use the same method to make coordinating pillows and blankets. If you choose to make the blankets using felt or fleece, you won't need to add seams. 
  12. Among the details, I also crafted an oval window with the same night scene to paste above the upper bunk. The lower bunk has a corner shelf for an alarm clock attached with glue and given a faux wood shelf paper covering similar to the windows opposite. 
  13. Once I've dressed two small dolls in their night gowns, these will be gifted inside our shoebox bedroom, tied-together with a bright blue bow for a winter's cozy celebration!
More Shoebox Crafts:

"Over The River and Through The Woods..."

        Here are three very lovely old prints by Currior & Ives for your dollhouse walls this coming holiday season. These depict: sleigh rides, horse drawn sleds, winter landscapes, farms in winter, domestic buildings, barns for farm animals, trees without foliage, ice on roads, farm equipment, maple syrup in large canisters, ladies with muffs, gentlemen with warm coats and gloves, ice skaters on ponds  and cloudy winter skies. In the old days, there was often freshly fallen snow on the ground several feet deep where I grew up in rural Missouri in time for Thanksgiving. Now, this is seldom true...

Three romanticized winter landscapes for your dollhouse!


"Over The River" for Thanksgiving! When
I was young, I sang this song all the time
because my grandmother did live over 
several creeks and through the woods...

How to make a trampoline for a mini doll . . .

A mini Lori doll named Cyarra jumps on her
handmade trampoline with her teddy watching.
      To make this mini doll sized trampoline I acquired the metal plant stand from a secondhand dealer. It cost only a dollar and things like this are very commonplace in the U.S. If you wish to make something similar, you will also need: plastic netting, felt (any color), an embroidery needle and matching embroidery floss.

Step-by-Step Instructions:
  1. Find a plate with the same or similar diameter to the upper most circular opening of the recycled plant stand. 
  2. Position the plate on top of plastic netting and cut around it with a half inch boarder.
  3. Now bend the edges around the metal railing of the plant stand and sew these in place using an embroidery needle and floss. Make sure the netting is taunt and firmly attached.
  4. Next, cut strips of felt and slightly gather the edges of the sides using a running stitch.
  5. Pin the felt around the circumference of the outside edges of the plant stand. See photos below. This will become the padding for the doll sized trampoline. 
  6. Sew through both the netting and felt on either side of it using the same embroidery needle and matching floss to the felt.
More Gymnastics Posts:

Left, trace around the plate plus 1/2 inch to cut the netting needed. Right, wrap the edges
of the netting around the outside perimeter of the plant stand opening to attach the mat
of the trampoline.

Left, the trampoline from above when finished. Right the trampoline as seen from the side.

How to craft a colander for your dollhouse kitchen . . .

Our doll's finished pink paper mache colander.

       Our dolls use this colander to wash their fresh fruits from the market and veggies from the garden in. The fake holes allow food items to air-dry once wet. 
       This fun doll-sized colander is made from paper mache pulp, sculpted inside of a soup ladle. These ladles are common enough; you probably have one in your kitchen right now! However, it will take several warm sunny days to make a colander like this one and a little patience.

Different sizes of ladles make different looking dishware.
Supply List:

  • a real human sized soup ladle
  • either plastic wrap or kitchen aluminum foil
  • papaer mache pulp
  • masking tape
  • acrylic paints: black, grey, silver, white and pink
  • black permanent ink marker
  • Mod Podge
  • cardboard tube (like a toilet paper tube)
  • white school glue
Step-by-Step Instructions:
  1. Make sure you are working with a clean ladle. Cover it with either plastic wrap or kitchen foil. Tape this securely in place. You will be using it to shape the colander and afterwards the plastic or foil may be removed entirely and the ladle returned to it's place in the kitchen.
  2. The inside shape of a ladle makes for a perfect tool to shape your doll's colander. It is the perfect size for an 18in doll to use inside of her play kitchen in fact. Mix together about 1/2 cup of paper mache pulp according to the directions on the package. It doesn't take much pulp to make the craft.
  3. Layer the pulp inside of the ladle's end cup. Smooth the 1/4 inch layer till it is consistently the same thickness throughout and let it dry in the warm sunshine for a day. 
  4. Once the pulp is ''set'' or dry, remove the foil or plastic along with it from the ladle. Then carefully peal away the plastic or foil. The underside of your pulp bowl may be still a little wet. Let this dry in the sunshine yet another day or so.
  5. Once the bowl shape is hard to the touch, cut a 'foot' from the toilet paper tube and tape this to the bottom of the bowl. Reinforce the connection with white school glue and set it aside to harden again.
  6. Use masking tape to smooth out the surface of the colander and prep it for painting. Try to keep the surface even with the tape; don't over-due the application.
  7. Now paint the first layer with white. This will help the pink layer to "pop." Let it dry.
  8. Paint the second and third layers hot pink.
  9. Once the paint has dried. Use the permanent black ink marker to draw dots to look like holes across the surface. (see photo below)
  10. Highlight the dots and patterns in the colander with silver acrylic paint. 
  11. Coat the colander with Mod Podge for a professional looking finished surface.
Left, fill in the bottom hollow ring with pulp too. Right, the paper clay makes a nice
finished looking surface; ready to paint however you like...

Different views of the painted colander with and without veggies.

Sunday, July 26, 2026

Printable Paintings for your dollhouse by L. Gordon

        These free prints of dolls were made from little watercolor paintings by L. Gordon. Included are a larger set for 18" dollhouses and a smaller set for those of you who wish to decorate a dollhouse for 6 inch dolls or smaller. Click on the image before downloading to get the larger size. 

Large set of water color paintings of dolls by L. Gordon. Just a 
few of the foreign dolls from her collection. Some of these are
from Japan, Russia, Switzerland, Germany, Mexico and Poland.

Smaller set of the same doll painting collection
for tinier prints. Some dolls are dressed as
brides or in ethnic costume.

Friday, July 24, 2026

The Gregson House Comes to America...

"The Gregson Doll's House" sold by Woolley & Wallis Salerooms

Tuesday, July 21, 2026

DIY Art Deco Miniature Theater

The dolly Art Deco theater is an alternate design to our mini marionettes puppet theater.
In this version, I show 
how to use a simple cardboard box to shape a theater, instead of
 Popsicle sticks. The design is made a bit more sophisticated with the addition of
columns on either side and a flamboyant, Art Deco proscenium arch.

       I first found a Art Deco print in a magazine which inspired my simple design for this miniature puppet theater. You can see that magazine page applied to the columns of the theater facade above. Advancing the designs used in craft for children may have it's origins in anything that is found unique to their environments. Something as simple as the pages of a magazine, wall papers in their bedroom, playground equipment they see at a local park or the stacking of blocks on the family room floor can all influence their personal preferences when constructing a toy theater. Once they have learned to include the necessary elements of the theater: the side flats, curtain, backdrop, stage and proscenium arch, they will be able to alter their designs to look like more like something out of their own imagination!
       This Art Deco theater is designed for finger-puppets specifically. The finger-puppets if they were life sized would be hand-puppets. To recognize the difference between a theater designed for hand-puppets or finger-puppets as apposed to stick puppets/marionettes, you must look to analyze it's construction. If the theater has a roof and side flats (in this case the columns/walls are the side flats) then it is intended to be displayed on top of a table or cupboard. The table would have a long skirt to conceal the puppeteer. The cupboard would have a wall, doors, or curtain to conceal the puppeteer.
       If your theater has no side walls or roof, then it would be designed primarily to display stick puppets or marionettes. These open areas make it easier to move puppets manipulated with strings or long sticks.

Parts of the puppet theater curtain.
Supply List:

  • masking tape
  • decorative magazine paper
  • Mod Podge
  • blue felt for curtains
  • wooden skewer and bead
  • cardboard tube
  • scrap cardboard box 
  • white school glue
Step-by-Step Instructions:
  1. Start with a sturdy corrugated cardboard box. The one I used for this craft was ''squarish in shape'', 6'' x 4 1/2'' x 1 1/2''.
  2. Cut away the backside entirely, this will be the backside of the dolly theater.
  3. On the front side of this box theater cut away the lowest flap only. Leave the side flaps and the top one intact.
  4. The side flaps will need to be cut back shorter, so that you can view the puppet shows. I cut these side, vertical flaps back so that only 1 1/4'' remained on either side of the front facade. 
  5. The next step is the trickest one and that is to shape this little theater to tilt up. Because this step may confuse a child making a similar theater, they may choose to skip this particular step. But in order to craft one exactly like mine you must shorten the floor of the theater to 4 1/2 inches in length. 
  6. Now tighten all of the angles of the theater using masking tape. Then mask all of the surfaces. While doing this. Also mask the upper-most-flap open and up to create the proscenium arch. I gave this piece a slight curve on either side as well to intensify my design choices. The proscenium arch may be shaped however you choose; it is a purely decorative part of your puppet theater, intended to draw the attention of the audience to center stage.
  7. To make the side columns on the front of this box theater, I cut a cardboard tube in half and mounted two identical pieces to each side of the front two flaps using masking tape and white school glue.
  8. Cut an additional piece of cardboard to mount with glue to the bottom of the theater. Do this by tracing around both the floor and the columns on top of an extra piece of scrap cardboard. Cut it out and glue it in place, mask it with tape. This will close off the tube openings at the bottom of the theater and strengthen it's base.
  9. Decoupage the entire theater using magazine paper and other decorative papers. I painted some of the surfaces and used magazine pages to decorate the columns. All of these choices at this point in the craft are completely dependent on your own aesthetic tastes.
  10. Using a sharp tipped nail poke a hole at both sides just below the proscenium arch to insert a long dowel behind the front facade. This dowel will hold a curtain behind the columns, across the stage.
  11. Glue a wooden bead to one end of this long dowel, so that it may be removed easily when changing out the curtain. See photo of parts of curtain above.
  12. Cut two pieces of felt, 5''x 4''. Attach small loops at the tops, evenly spaced apart with a needle and thread. 
  13. Poke the skewer through first hole, bead side out and work the curtains onto the skewer. Then poke the end of the skewer through the second hold at the opposite end to make the theater curtains.
  14. You can cut two identical small ties to gather each side of the felt curtains together. Now the finger puppet theater is complete and ready for a show!

Left, center and right are is the theater before painting or decoupage. This puppet theater is not
exactly square. It is slightly narrower at the bottom and larger at the top. This was done to
 give a dramatic appearance to it's construction.

 

Related Content:

How to make an old-fashioned spool doll . . .

Vintage spool doll for children four and up. Don't 
make it for a toddler because he or she might 
put the parts in the mouth.

       What a nostalgic, dangling doll this is. If you have any old wooden spools or wooden beads he would make a delightful addition to a small folk doll collection.

Supply List:

  • Spools: For the toy in Plate 14, thread spools of all sizes, also spools from an adding machine or cash register for body, arms, and legs. 
  • Beads: Wooden or glass beads to form the joints of the toy (Fig. 1). 
  • Plastic Lacing: Use a strong lacing which will withstand boiling when the toy becomes soiled (Fig. 10). 
  • Decorating Materials: Water colors or wax crayons (Figs. 7 and 8) for decorating the spools, clear shellac, and spar varnish. 
  • TOOLS A saw for separating spool ends for a hat or collar (Fig. 3), and paper clips to hold spools for painting the toy and hanging to dry (Fig. 2). 
Step-by-Step Instructions:
  1.  1. From some office or bank, secure six adding-machine spools for the limbs of the toy. Cut two in half for the arms (Fig. 1). Use an extra large spool for the body and one large enough for the head. Others of varying size may be used according to the craftsman's originality. 
  2. Arrange the spools in the likeness of the human figure, with longer spools for the legs. Use large spools for the body and head, and short ones for the arms. 
  3. For a collar or a hat, saw off one end of a large spool, and turn it upside down for the collar. The remaining part may be used for a hat over the "head" spool. 
  4. Sand all spools. (optional) 
  5. Decorate the spools using water colors to paint them to resemble clothing. Wax crayons, nail polish, or a burning tool can be used to make facial features and other decorations.  
  6. Straighten paper clips and insert them into the spools to hold them when applying the finish and to hang them on a line to dry. 
  7. Apply a coat of clear shellac and let it dry. 
  8. Sand the spool lightly and apply spar varnish. 
  9. String each part of the toy separately with plastic lacing. 
  10. Use beads, preferably wooden ones, for hands, feet, knees, and elbows. 
  11. String the ends of the lacings for both legs up through the body and join with the lacings of both arms. 
  12. Lace all ends through the head. 
  13. Hair may be made from short strands of colored yarn secured to the lacing between the head and hat. 
  14. Tie above the hat and leave a loop handle.
Related Links:

Sunday, July 19, 2026

Interior Decorating for Comfortable Homes Of The 1920s

       Frank Parsons was the president of the New York School of Fine and Applied Arts in the 1920s and was considered a leading authority on interior decoration. Here are a few examples of his work to help dollhouse enthusiasts transform a small property into something period.

Color palettes in rooms from this decade vary widely. Here we see the use of color to make a 
room look spacious and comfortable. Although there are red accents around the room the
colors appear harmonious and not overbearing. 

       The green tile surrounding the blazing fire in this comfortable modern home has been chosen to harmonize with the green carpet patterned linoleum. A touch of the complementary red, and the blues and yellows are blended in the fabrics to make the room cheerful. It is not overcrowded with furniture, but rather is arranged to give a spacious, open effect. Comfort and utility are two of the primary requisites of every living room.
The front hallway and
living room beyond.
       This interesting use, after some of European manners, of a carpet inlaid linoleum floor through hall and living room, illustrates how effectively a pattern can be employed in floors, as well as on walls and in hangings. The small all over design gives the effect of a rich carpet, and yet the floor is easy to keep clean and care for and is also durable. (just right) The staircase here features stained treads and painted white risers. The wall behind has square paneled walls and the ceilings have painted wooden beams.
       In the cherry dining room illustrated below, the early American furniture is happily combined with the Chinese area rug and the warm wooden floors. One feels that this room has been planned in good taste and the floors contribute much to the atmosphere of refinement. A formal painted mantle frames a modern electric firebox and a mirror hangs above it.
       The next photo illustration of a formal dining alternative includes a wooden floor that blends with the lovely wood of the Sheraton furniture, the colorful draperies and the fine rug. Notice also the early American built in corner cupboard used to store fine china. In this room there is also a fancy tea cart and two sideboards.

A drawn rendering of a formal dining room from 1920.


This photo alternative furniture arrangement for a dining area includes a picture window and 
hot water heater. Combining curtains with shades and sheers was very popular in this decade.


Above is a family room decorated with Oriental rug and cozy upholstered seating. This 
fireplace is a wood-burner with a traditional brick liner and classic painted wooden mantle. 


Here is a open space living area and dining room combined inside of a California bungalow. 
Furnishings include a multitude of texture and pattern. Wicker and wood chairs and a builtin
window seat invite relaxation and floral curtains and a rug are cheerful reminders of home.


This old-fashioned back staircase in a stately Colonial home has a carpeted staircase to keep
the noise level low during use. The curved banister has stained handrails and painted 
balusters. Plush rugs and paneled doors add to the charm of the hall where the 
historical staircase is featured.


A drawn rendering of a casual sitting area at the foot of a large staircase. The distinctive floors
are Parquetry. The fireplace is decorated with unique cast-iron andirons. 


The sun parlor has a black and white checkered floor, very
popular in the 1920s. 


This rendering shows an Arts and Crafts Bungalow from the same decade. Parquetry floors 
combined with a wrap around fireplace mantle with flanking bookcases. The windows
are small and above the bookcases. Note the stained glass shade on the lamp and
velvet upholstery are very period as well.


The upper landing leads to bedrooms and a shared family bathroom.


The master suite includes and sleigh bed, large dresser, a writing table and nightstand.


A sitting area upstairs with chaise lounge next to the fire surround.


Toddlers play in their nursery. The furnishings are child sized these include: a rocking horse,
a child-sized rocking chair, a table and writing desk, plus many old-fashioned toys.


A girl's bedroom includes a large vanity and mirror and twin beds and comfy arm chair.


The attic has been converted into a spare bedroom for guests. different furnishings are 
grouped and upholstered in floral prints. The space is carpeted for extra warmth in winter.