Friday, October 9, 2026

Print by Grace Drayton for Your Dollhouse

Cover of "Molly and The Unwiseman
Abroad" 

          Grace Drayton (October 14, 1877 – January 31, 1936) was an illustrator who created popular period comics Dolly Dimples (1910) and The Pussycat Princess (1935). She created the "Campbell Soup Kids" advertising campaign and is probably best known for her popular Dolly Dingle paper dolls in the women's magazine Pictorial Review. She frequently collaborated with her sister, Margaret G. Hays, also a comic strip author and writer.
       Christened Viola Grace Gebbie, in 1900 she married Theodore Wiederseim and started signing her work "Grace Wiederseim." In 1911, Grace divorced Wiederseim and married W. Drayton, and started signing her work Grace Drayton. She divorced Drayton in 1923 but continued to sign her work "Grace Drayton" or "G G Drayton."
       She was an early member of Philadelphia's The Plastic Club.
       Some of Draytons' work is in the public domain and some of it is not. Be careful to scrutinize the publishing dates when looking at her work.

Read more about Grace Drayton:

How to Craft Doll Bowling Trophies

The finished trophies for champion doll
bowling leagues.
       Once your dolls succeed at showing-off all of their bowling skills, they will need to be rewarded with a few faux brass trophies! Below is a quick easy way to make your own...

Supply List:

  • plastic doll-sized bowling set from a Dollar Store
  • gold tissue paper
  • white school glue
  • Mod Podge
  • black acrylic paint
  • paper egg carton
  • masking tape
  • scrap cardboard
Step-by-Step Instructions:
  1. Cut the bases for your doll bowling trophies from select parts of a paper egg carton. Only use a clean recycled carton for this craft.
  2. Position the open end of each base on top of a piece of scrap cardboard and trace around the outside edges with a pencil.
  3. Cut out the cardboard and glue it to the bottom of the egg carton open parts. Let this dry completely before you continue crafting.
  4. Use a small amount of masking tape to cover the bottom areas of each ball or pin that you will be gluing to the bases. This step will ensure that the two distinct surfaces stick together prior to decoupaging with tissue. Let this glued contact dry.
  5. Brush on slight amounts of white school glue and layer torn pieces of gold tissue onto the trophy forms. When working with tissues do not apply glue on top of the surfaces until the glue has dried underneath. This keeps the process clean and less prone to wrinkles!
  6. Once you are satisfied with the coverage, Mod Podge the outer surfaces and set the doll-sized trophies aside to dry and harden completely.
  7. Use a bit of paint to add the finger holes on the bowing balls and then decoupage one last finishing layer.
Left the egg carton stands cut out and ready to close their open ends. Right, I found these plastic
bowling balls and pins at a dollar store.

Thursday, October 8, 2026

Make Your Own Super Hero Clothespin Dolls...

        To make super hero clothespin dolls you will need the following supplies: felt for capes and some trim, acrylic paints for parts of the costumes and facial features, embroidery floss for hair, tiny beads for the noses, white tacky glue, and wooden clothespins.

Left to right: Batman, Robin and Superman finished with felt capes and small details complete.

 Step-by-Step Instructions:
  1. First make sure to clean off the surfaces of the clothes pins. 
  2. Paint simple designs for your favorite super hero costumes. You may copy my simplified designs below if you wish. Robin and Batman required 5 different paint colors: red, green, black, silver and a flesh tone. Superman required: blue, red, and a skin color. 
  3. I cut yellow, red and black paper to make the emblems, belts and masks for the peg heroes. Then pasted these on with tacky white glue. 
  4. Then I cut hair using embroidery floss for Robin and Superman and glued this on with tacky glue as well.
  5. Paint the skin and faces.
  6. Then the last step is to cut the capes from felt and glue these to the back of each super hero's neck. 
  7. Cut a long strip of matching felt to wrap a collar around the neck securing it on with glue.
  8. Batman needed additional bat ears cut from felt triangles to glue on to the back of his head. 
  9. Coat the painted wooden surfaces with Mod Podge.

Left are the unpainted clothes pins plus wooden stands. Right, here you can see the first steps
involved with painting simple color blocks for the costumes. Robin and Batman are featured
 in the center.  Superman, Wonder Woman and Spiderman are shown on the far right.
 I have yet to finish the last two. But once I have done so, I will post them below.
 

Prints by Pyle for Your Dollhouse

      Howard Pyle (March 5, 1853 – November 9, 1911) was an American illustrator and author, primarily of books for young people. A native of Wilmington, Delaware, he spent the last year of his life in Florence, Italy.
      In 1894 he began teaching illustration at the Drexel Institute of Art, Science and Industry (now Drexel University). After 1900, he founded his own school of art and illustration, named the Howard Pyle School of Illustration Art. The scholar Henry C. Pitz later used the term Brandywine School for the illustration artists and Wyeth family artists of the Brandywine region, several of whom had studied with Pyle. Some of his more notable students were N. C. Wyeth, Frank Schoonover, Elenore Abbott, Ethel Franklin Betts, Anna Whelan Betts, Harvey Dunn, Clyde O. DeLand, Philip R. Goodwin, Thornton Oakley, Violet Oakley, Ellen Bernard Thompson Pyle, Olive Rush, Allen Tupper True, Elizabeth Shippen Green, Arthur E. Becher, William James Aylward, and Jessie Willcox Smith. Pyle's home and studio in Wilmington, where he taught his students, is still standing and is listed on the National Register of Historic Places.
      His 1883 classic publication The Merry Adventures of Robin Hood remains in print, and his other books, frequently with medieval European settings, include a four-volume set on King Arthur. He is also well known for his illustrations of pirates, and is credited with creating what has become the modern stereotype of pirate dress. He published his first novel, Otto of the Silver Hand, in 1888. He also illustrated historical and adventure stories for periodicals such as Harper's Magazine and St. Nicholas Magazine. His novel Men of Iron was adapted as the movie The Black Shield of Falworth (1954).
      Pyle traveled to Florence, Italy in 1910 to study mural painting. He died there in 1911 of a sudden kidney infection (Bright's Disease). Read more . . . 

Below I've restored a few of Pyle's paintings. You can visit a collection of his illustrations restored for children to color at my Crayon Palace blog here.

Left, an illustration of Captain Keitt, Center, an Attack On a Galleon, and Right, an illustration from "The Price of Blood."

Prints by Rackham for Your Dollhouse

Illustrator Arthur Rackham.
      Rackham was born in Lewisham, then still part of Kent as one of 12 children. In 1884, at the age of 17, he was sent on an ocean voyage to Australia to improve his fragile health, accompanied by two aunts. At the age of 18, he worked as a clerk at the Westminster Fire Office and began studying part-time at the Lambeth School of Art.
      In 1892, he left his job and started working for the Westminster Budget as a reporter and illustrator. His first book illustrations were published in 1893 in To the Other Side by Thomas Rhodes, but his first serious commission was in 1894 for The Dolly Dialogues, the collected sketches of Anthony Hope, who later went on to write The Prisoner of Zenda. Book illustrating then became Rackham's career for the rest of his life.
      By the turn of the century Rackham had developed a reputation for pen and ink fantasy illustration with richly illustrated gift books such as The Ingoldsby Legends (1898), Gulliver's Travels and Fairy Tales of the Brothers Grimm (both 1900). This was developed further through the austere years of the Boer War with regular contributions to children's periodicals such as Little Folks and Cassell's Magazine. In 1901 he moved to Wychcombe Studios near Haverstock Hill, and in 1903 married his neighbour Edyth Starkie. Edith suffered a miscarriage in 1904, but the couple had one daughter, Barbara, in 1908. Although acknowledged as an accomplished black-and-white book illustrator for some years, it was the publication of his full colour plates to Washington Irving's Rip Van Winkle by Heinemann in 1905 that particularly brought him into public attention, his reputation being confirmed the following year with J.M.Barrie's Peter Pan in Kensington Gardens, published by Hodder & Stoughton. Income from the books was greatly augmented by annual exhibitions of the artwork at the Leicester Galleries. Rackham won a gold medal at the Milan International Exhibition in 1906 and another one at the Barcelona International Exposition in 1912. His works were included in numerous exhibitions, including one at the Louvre in Paris in 1914.
      From 1906 the family lived in Chalcot Gardens, near Haverstock Hill, until moving from London to Houghton, West Sussex in 1920. In 1929 the family settled into a newly built property in Limpsfield, Surrey. Arthur Rackham died in 1939 of cancer at his home. Read more . . .

I've restored samples from Arthur Rackham's illustrated volume of English Fairy Tales: left is "fee-fi-fo-fum," I smell the blood of an Englishman, Center is Mr. and Mrs. Vinegar at home, and right is "She went along, and went along..."

Click to download the largest available size, print and frame for your dollhouse.

Wednesday, October 7, 2026

Make doll-size laundry accessories . . .

18" doll-size version of the dress laundry bag including
tiny clothes pins too! Sometimes this novelty bag is called
and Amish clothespin bag.
       The laundry basket for your dolls may be acquired from any place like: thrift stores, dollar stores, garage sales etc... For the clothesline simply tie a strong cord between two chopsticks to hang your dollies laundry on the line in the sunshine outside.
       You can make an old-time laundry bag similar to one my grandmother once had. It looks like a little dress hanging on the line to dry but it is actually a bag for holding clothespins. You will need fabric scraps, a needle and thread and a large paper clip for this craft.

Step-by-Step Instructions:

  1. The pattern must be drafted from a perfect square of any size to suit your dolls. 
  2. Cut the back and front, and stitch the shoulder seams.
  3. Cut the binding for the neck, sleeves, and lapel, and then stitch them in place. Do this by sewing them to the under side and bringing them forward. 
  4. Turn the edge under and stitch.
  5. Turn the bag outside in.
  6. Cut a strip of alternate patterned fabric for the skirt. 
  7. Gather the top and baste it to the front of the bag to look like a skirt. 
  8. Add a narrow hem to the ruffled skirt at the bottom.
  9. Turn in the edges of the skirt and stitch these to the side seams using a whip stitch.
  10. Cut the belt and stitch it to cover the gathered, basted seams and then to the back of the bag leaving enough of the belt to tie into a bow.
  11. Unbend a large paper clip and then reshape it into a miniature hanger.
  12. Insert the hanger into the clothespin bag at the top to hang from the clothesline. Keep tiny clothespins inside of it.
Left, finished clothespin bag made to look like a dress. Center, ruffled skirt attached to the 
outside of the dress/bag. Right, see the clothespins tucked inside of the bag. Now the clothespins
may be stored away and hung directly on the clothes line by the hanger.

Picture illustrations of steps for the ''dress-like'' clothespin bag
for a life-size version.

Saturday, October 3, 2026

The Kitty Party

       If it had not been for the fluffy pussy willows growing the long willow switches, Janey and Katherine would never have thought of having a kitty party. 
       "May I have just one fat pussy willow to make a mother cat and one wee one for a kitty?" Janey asked her cousin. 
       Janey was visiting Katherine, and the morning the florist sent out the flowers and the pussy willows, the two girls had been sewing. While Katherine watched, Janey sewed the largest pussy willow to a card, letting her thread fall where the cat's neck should be. Then with her pencil, she drew the cat's tail, and ears and whiskers on either side of the head. 
       "Oh," cried Katherine, “what a lovely kitty!" 
       Instead of one little kitty beside the mother cat, she insisted that Janey make three all in a row. 
       It was Katherine who thought of a kitty party. 
       "Mother, didn't you say I might have a party for Janey? And may I have a kitty party?" 
       Mother had never heard of a kitty party. But when she saw the card with the cunning row of kittens, she said it would be hard to imagine prettier invitations. 
       "Let me think a moment. You could play 'Poor Pussy' and we could serve 'Catnip tea' and 'Puss-in-boots.” These kittens, all in a row, Have come to let you know You are invited and we'll be delighted If you'll come to our kitten show. (Date) (Name) 
       The girls wanted very much to know what these were, but Katherine's mother said the refreshments must be a surprise. 
Kitty party invitation. Print as many as you need!
       That settled it - a party with surprises! Janey and Katherine made the invitations that very afternoon. On each card they made a row of pussy willow kittens and under the kittens they wrote this verse: 

"These kittens, all in a row, 
Have come to let you know 
You are invited 
And we'll be delighted 
If you'll come to our kitten show.” 

       They wrote their names and the date in the corners and put each card in an envelope. They were afraid to trust their precious kittens to the mail, so Mother took them for a drive in the car and let them leave an invitation at the home of every little girl who was to be invited. 
       Of course the guests wanted to make pussy-willow kittens themselves. They could scarcely wait to begin when Janey told them they might sew flat, white buttons to the cards and make the kittens look as if they were drinking milk from the button dishes. Katherine announced that three prizes would be given those making the prettiest cards. The prizes were a live Persian kitty, a book with stories about kittens in it, and a bean bag cut the shape of a cat's head with the features marked on with black thread. 
       When the kittens were finished they were ready for the cat show. They put the cards on display and Mother judged them. She decided the prettiest card was the one that had a fence made of three rows of dark yarn with two upright rows for posts; the kittens were sitting on the top rail and green yarn made grass at the bottom. The little girl who made this card was given her choice of prizes, and, after telephoning her mother to make sure it would be all right, she chose the little Persian kitten. 
       The other prizes were given out, and then they drew their chairs into a circle ready to play "Poor Pussy." Katherine was the first "Poor Puss." She got down on her hands and knees before Maurine and tried to mew as a poor lost kitten would. Maurine was told she must stroke Katherine's head and repeat, "Poor Pussy," three times without even smiling. She laughed as soon as Katherine had begun her funny “mewing" and had to take Katherine's place and try to make some other girl laugh. If she had not laughed, Katherine would have had to try someone else. 
       While they were still seated in the circle, Katherine's mother brought in a cat cut from cardboard and told the girls they might play, "Do you want a cat?" She explained that a cat was supposed to have strayed away and the girls should pass it from one to the other in an effort to find an owner. However, they did not pass the cat with their hands. The first girl, by pulling down her nose and pushing out her upper lip, managed to hold the cardboard cat between her nose and lip while she said to her neighbor: "Do you want a cat?"
       She had to make a dreadful face to hold the cardboard in that manner, and the next girl, who was supposed to take it between her lip and nose, was laughing so hard she could not take it until ten had been counted. The first girl who had held it all that time, was then allowed to leave the circle and watch the others make faces. After that everybody tried to take it as soon as possible from their neighbors and thus keep them from going out, but sometimes they were laughing so hard they could not stop in time to screw up their faces as they must. 
       After this game they were ready for the "Crazy Cat Walk." Each girl in turn put her head down upon the handle of an umbrella, turned around three times, and then walked across the floor. The turning around made them dizzy, and their attempts at walking straight were laughable, indeed. 
       The refreshment booth was a table across one corner of the dining room, decorated with pictures of cats and chocolate cats that were later given to those who called for "brown kittens." Each girl was allowed to find one of the cardboard cats that were hidden about the room and present it at the booth for the thing it called for. With this she must be content until the bell rang again and each could hunt for another card. If a guest found a card calling for something she already had, she was to put it back as quietly as possible and continue the search. Each cat had written upon it one of the following items that made up the menu; brown kittens, catnip tea, a bowl of milk, cat biscuit, red and white pussy, Puss-in-Boots. 
       "Catnip tea" was clear lemonade served in teacups. Those who called for a "bowl of milk" were given little brown ramekins filled with what looked like milk. It was really a thick cream dressing and it hid bits of chicken and mushrooms. A spoon was furnished with this "bowl of milk." 
       "Cat biscuits” were beaten biscuits with cat's features worked in them in- stead of the regular fork prints. A thin layer of minced ham was pressed between them. 
       "Red and white pussy" proved to be a round radish just the proper shape. The tail was left on, little ears were made by turning back a little of the skin with a knife so that it would stand up in just the right place, and tiny bits of cloves pressed in for eyes. Each "Cat” was served with a cracker. 
       "Puss-in-Boots” proved to be cookies. A man who cut tin had made a cooky cutter that showed the head of a kitten sticking out of a big boot. 
       “I never heard of a party with so many nice surprises," said one of the guests. And Janey declared she was going to have a "Kitty" party as soon as she got home. Myrtle Jamison Trachsel

More Kitty Parties:

Thursday, October 1, 2026

Peggy And The Plum Cake

Peggy and the Plum Cake. 

       It was the kind of cake that most people, I think, call raisin cake or fruit cake, if citron and other goodies are mixed with the raisins - but Grandmother called it Plum Cake, with a capital P and C in her voice. And it sounded so much richer, and more fragrant by that name as Grandmother spoke it, that Peggy would never think of calling it anything else. 
        This particular Plum Cake was for Peggy's birthday party - her eighth birthday. Peggy had seeded the Plums (great purplish blue raisins which Grandmother thinks the only sort fit to eat) and Grandmother had come out of her sunny room to the sunny kitchen to make it. On her last - her eightieth birthday - Grandmother had decided it was best for her not to eat any more Plum Cake herself. But she did enjoy making it for Peggy. It was round and full of plums, with pink frosting all over. There was a double border of red-and-white round candies, and "PEGGY" and an "8" done beautifully with them in the middle. 
       Peggy had sent out her invitations the week before, and every one had accepted, even the Brown twins, Theodore and Thornton, who were only five, but very fond of parties. 
       "Just eight of us," said Peggy, as Grandmother was setting the round table in the breakfast room. "And the Plum Cake will cut so beautifully into eight pieces." 
       Grandmother smiled as she went on laying the plates. Mother had had to attend a Committee Meeting, but Grandmother and Peggy felt quite equal to managing the party. It was to begin at three, with supper at six. 

Peggy serves her guests.

       All the guests came trooping in before three, and they had a merry time with games in the library. But they weren't two seconds in stopping when Grandmother opened the door and announced, "Supper is served, ladies and gentlemen." 
       Everything was good, but the beautiful Plum Cake was the center of their attention. When they got to Plum Cake there was a hush. 
       With a shining knife, Peggy cut it across, and across, and across, and across. Eight lovely three-cornered pieces. M-m- m-m, but wouldn't it taste good! She could hardly wait! She served it on little pink plates-one, two, three, four, five, six, seven, eight-the plate was empty, and she had not served herself! Whatever!! Then it flashed on her. She had sent Theodore and Thornton's invitation together, and had counted them as one! But, oh, when it came to Plum Cake they counted two! Indeed, they did! 
       Peggy managed to eat a spice cooky with such a gratified expression on her face that none of her happy guests noticed that she had no Plum Cake. She laughed and talked and kept their cocoa cups and milk glasses filled, and the party came to a joyful finish just as the clock struck seven. Then there was a rush for jackets and caps and capes and bonnets, and soon Peggy was alone. 
       Grandmother appeared, smiling, "Did the party go off well, Peggy?" she asked. 
       "Beautifully," answered Peggy. 
      "Nothing went wrong?" 
       "Not a thing-to speak of!" cried Peggy bravely. "Everybody had a good time. And your Plum Cake was delicious!" 

Grandmother fixes the problem.

       Grandmother came close and put her finger under Peggy's chin. "How do you know?" she asked. "Hm?" And while Peggy was stammering, "Wh-wh-why-?" Grandmother hurried into the pantry, and came out with the most beautiful baby Plum Cake, with frosting, and red-and- white candles, and everything! Peggy stood speechless. 
       "I saw your mistake, when you were writing your invitations and naming over your guests," said Grandmother; "and, just for fun, I kept still. But I made that extra Plum Cake just the same." 
       "Oh, Grandmother!" cried Peggy. 
       "And now," smiled Grandmother, "I take the greatest pleasure in presenting it to my little granddaughter, who proved herself a perfect hostess and what I believe the boys would call a good sport!" 
       "Oh, Grandmother!" cried Peggy again. And when she had finished hugging her, she coaxed, "But, Grandmother, you must eat some of this Plum Cake! I know it will what is it you say? Oh, 'agree' with you!" 
       "I do believe it will!" said Grandmother. Minnie Upton

Fast Asleep


       A little girl was walking along the sidewalk pushing her doll-carriage very, very carefully. A big man came along and smiled at the little girl pushing her doll-carriage so very, very carefully. The little girl smiled back at the big man and he walked on. 
       Then a lovely lady came tripping along. As she met the little girl pushing her doll-carriage so very, very carefully, she, too, smiled and said: "What have you in your little carriage?" 
      "My baby," answer the little girl very proudly. The lovely lady smiled again at the little girl and passed on. 
      Soon another little girl came skipping along the sidewalk. When she met the first little girl pushing her doll-carriage so very, very carefully, she stopped. The first little girl stopped, too. 
      "May I look at your baby?" asked the other little girl very politely. 
      "Of course," answered the first little girl just as politely, and proceeded to part the little carriage curtains. 
      "Oh, oh, oh!" laughed the other little girl, peeping in. The first little girl kept smiling proudly. 
      "The darling!" exclaimed the other little girl clasping her hands in delight. Now what do you suppose she saw? A soft, little, white kitten fast asleep in the doll-carriage. 
      "I'm going to get mine, too," said the other little girl. 
      "Goody!" answered the first little girl. 
       So it was, in a little while, there were two little girls pushing their doll-carriages very, very carefully along the sidewalk, each carriage holding a tiny kitten. Was it any wonder that everybody smiled at them? Mary Tufts

Welcome To Your Birthday!

"Happy Birthday" gif with balloons.

WELCOME to Your Birthday,
Merry, bright and new!
Here's what I am wishing
It shall bring to you.

It will show you plainly,
So you'll know it's true,
That dear God in Heaven
Loves and blesses you.

It must make you happy,
Healthy, good, and strong.
It must bring you laughter,
Love, and friends, and song.

It must give you presents-
Every blessed thing,
That a Happy Birthday
Really ought to bring.

So, my dear, keep growing
All the years you live
With all sorts of blessing
Birthday days must give.

Last of all I promise
That my heart will send
True love to you always
Lovingly your friend.

Monday, September 28, 2026

Make A Paper Mache Tower of Vintage Holloween Lanterns!

My finished lantern tower from bottom to top includes a vintage Jack-O-Lantern, a watermelon
man and a classic black cat. Each character head is light-up with a battery operated, votive 
candle light. 

       The supplies needed for this project are: newsprint, balloons, masking tape, white school glue, paper mache pulp, parchment paper, permanent ink pens, Mod Podge and acrylic paints.

Left, the backside of my lantern shows the layers of newsprint, glue and masking tape. 
Center, above you can see that a then carved out the holes for the battery operated votives.
Right, on the front of the lanterns, I sketched simple shapes for the openings of the lanterns.

       Blow-up three smallish balloons to shape this version of a lantern tower. You can use larger balloons if you wish. My tower measures approximately ten inches tall, but any size is nice. 
       Next, shred a stack of newsprint and cover all of the surfaces of the balloons with layers of white school glue and newsprint. 
       Let the balloons dry over night in a warm dry space. 
       On the following day glue and tape the forms on top of each other to fashion a 'snowman' looking character. 
       Then cover this object again with newsprint strips and white school glue; leaving it to dry a second time over night. 
       Once the balloon shapes have dried, carve out three whole in the backside of the lantern to accommodate the battery operated lights. In the process of this the balloons will be popped.
       Remove the balloon material. 
       Use a permanent ink marker to sketch out the features of each face on the front of the lantern.

Above on the left and right, is the tower covered and reinforced using masking tape both inside 
and outside of my forms.

       I then cut out the openings for eyes, nose and mouth for each of my creatures.
       Then I covered the forms with masking tape to reinforce the tower before adding a final layer of paper mache pulp.

Above are photos of the lanterns once covered with paper mache pulp. 

       With the final layer of paper pulp, I sculpted the cat's fur, the melon's skin and my pumpkin's ridges and extreme grin. All of these characters are based upon antique variations most commonly used in similar candy buckets produced for the American Halloween novelty markets during the 1920s through the 1940s. 

Keep the paint layers heavy if opting-out of a coat of Gesso or primer as I did on this project.

       Paint each lantern a thick base color of your own preference. Because I did not use Gesso in this procedure, I opted to layer the acrylic on thick. Then I covered the surfaces with a layer of Mod Podge before adding even more details in a second coat of paint.

Here you can see the painted details of the faces.

       The final step after painting on more details and another coat of Mod Podge, is to glue the parchment papers inside of each head. Parchment is much stronger than tissue paper and the lights glow just as nicely through it. 
       Once the parchment is dry, us pens or paint to add teeth, tongues, nose paint and eyeballs to the surfaces of the parchment.

Display a similar antique lantern on your fireplace hearth or Halloween table this year! These
are so much fun to make; every home needs a little nostalgia for the
 Autumnal calendar events...

Thursday, September 24, 2026

DIY a Vintage Vegetable Automobile . . .

Whoever thought watermelons could be so spooky or mobile? See it also in the Tome of the
 Unknown from Over The Garden Wall.

       Now that I've made the car, I might as well make some veggie dolls! But, I'm afraid that will be a craft for next year . . .

Supply List:

  • one dried gourd that is shaped like a watermelon
  • newspaper or newsprint or paper bags
  • masking tape
  • white school glue
  • acrylic paints, including: white, red, black, several greens
  • 4 recycled ribbon rolls (for tires)
  • wire to shape the steering wheel
  • two wooden beads for headlights
  • Sculpey for seeds to glue inside the tires
  • Mod Podge
  • paper mache pulp

Step-by-Step Instructions:

  1. Draw where you will need to cut out the seats on the outside of a gourd. Cut out the top along this line.
  2. Stuff the inside of the gourd with newsprint and then mask off the seat using tape.
  3. Use a hot glue gun to apply the tires made from ribbon spools onto the sides of the veggie car.
  4. Glue on the headlight lanterns; I used wooden beads for these. 
  5. Shape steering wheel from wire and glue this in place.
  6. Mix up paper mache pulp and apply a coat of this inside the ribbon spools. 
  7. Sculpt small zucchini seeds with oven baked clay, cook and apply inside the tires to look like the photos below. I guess some folks think that these are cucumber wheels but I think they are zucchini wheels!
  8. Coat the entire construction using either gesso, white acrylic or white enamel paint. Any of these will do.
  9. Use acrylic paints to transform your auto into a watermelon car, just like the vintage one seen below!
The crank on the front of our "automobile" is a watermelon vine. The gourd has a carved away
top to make room for the melon pulp seating. The steering wheel is a wire "vine" too. 


The wheels are made from recycled ribbon spools. These are then filled in with paper pulp 
and then ''seeds'' are shaped using Sculpey. Glue these inside to mimic zucchini rounds.

This classic Halloween postcard is from the public domain. It illustrates a watermelon auto-
mobile with an anthropomorphic veggie driver. A Halloween witch and her black cat ride in
back while a black bat and half moon illuminate the night. See more veggie character dolls
on my pinboard here . . .