Monday, February 19, 2018

Constructive Activities as 'Purposeful Activities'

       In determining what the constructive activities or projects of little children are, to be, the motive prompting the children in the doing of any special task is of greatest importance, also the fact that the activity shall wholesomely and naturally form an intrinsic part of the life of the child at any given time. The motive may vary considerably and yet be acceptable. It may be social and cultivate the growing and sharing spirit, as when gifts are made for different seasons of the year, or refreshments served for special occasions at school; it may be the expression of the love of beauty and show itself in a desire to decorate the schoolroom, or to make covers and portfolios for the preservation of school work; it may answer a special need, as when costumes, spears, helmets and other accessories are simply made in order to lend to dramatic expression an added sense of reality, or when material is needed for nature study; it may furnish a fitting climax to industrial studies, leading to an understanding of actual conditions, as when jelly or biscuits are made from the fruit and grain harvested. Insistence upon a genuine motive there should be; otherwise constructive activity loses its educational significance and becomes barren of its best results.
       The love of beauty being essential to all appreciation and adequate expression, it may be considered a dominant factor which permeates and accompanies all other motives in their attempts at realization. Hence the artistic training in design and color must be kept in mind.
       Crude results should be accepted and given due credit, providing only that they represent the best effort of the child at any given time, and that conditions exist for growth. The work should be that of the child, with only so much of the teacher in it as prevents discouragement through insurmountable obstacles, or standstill through lack of vision. The difficulties must be within the capacity of the growing child at any given time.
       The suggestions following have been carried out in various schools with little children. 
The Role of Play in the Overly-Academic Classroom

Creation

Creation
by Edward P. Butler

God made a little garden
And hung it in the sky,
With a myriad lights around it
On a string He did not tie.

'Twas a wondrous little garden,
Full of tiny lakes and rills,
Tiny isles and tiny mainlands,
Tiny vales and tiny hills.

There were living things made also:
Tiny trees and tiny flowers-
I think God used a microscop
The make this world of ours.

There were swimming things and flying things
And things that crept or ran-
All these He made of nothing
And then-created man!

Man and woman, strong and beautiful,
By Satan were beguilded,
And so, to win them back again,
He made a simple Child.

Wake Up Birdie

Birdie with the folded wing,
Shall we never hear you sing?
Sleepy birdie, wake up quick!
Pretty birdie, are you sick?
Birdie, birdie! are you dead?
Birdie, birdie! lift your head!
Lift your head, and show your beak.
Naughty birdie! won't you speak?
Here is water for your cup;
Here is sugar-eat it up:
Here is sunshine warm and bright.-
New he sings with all his might!

Little Miss Limberkin


Little Miss Limberkin,
Dreadful to say,
Found a mouse in the cupboard
Sleeping away.
Little Miss Limberkin
Gave such a scream,
She frightened the little mouse
Out of its dream.

Play As Purposeful Activity

       A large amount of thought and time in any primary school program belongs legitimately to play. Play is the spontaneous expression of child life; it is child life. The teacher who does not weave play into her daily scheme, fails to grasp a central principle and to utilize one of the greatest assets in the education of the children under her guidance.
       Much has been written on the educational value of play. Five aspects of the question are especially vital to the success of the plan of work here presented. They are:
  1. The play spirit
  2. Representative play
  3. Dramatic play
  4. Play and games as determined by conditions of weather and other nature experiences
  5. Social and folk games and play
       The play spirit. This is an attitude of mind, an outlook upon life present in the child, necessary as basis for a sound philosophy in later years; as much of an asset to the grown person as to the child. It is the element in character which defies failure; which insists upon playing the game fairly and joyfully, but playing the game always; which meets difficulties, obstacles, drudgeries, with vigor and a determination to win, but to win always by fair means; which does not minimize or ignore existing evil, but which has faith in its ultimate overcoming by positive measures; which adds the touch of artistry to otherwise commonplace lives, and illuminates them with a ray of sunlight convincing to others by its glow, its penetration, and its effects. This play spirit does not exclude seriousness, concentration, application, reverence, or any of the other stable and basic qualities which are among the ideals to be realized by children; it runs side by side with and through them all as does a delicate theme or melody in a piece of music with orchestral accompaniment, binding together the various harmonies into a unified whole. The play spirit then is an essential which should permeate the atmosphere of every primary school, constituting its moving and directive force.
       Representative play. This is the play indulged in by children when reproducing the activities of their environment in imitation of their elders (" Olympians," as Kenneth Grahame calls them), and of institutional life as they see it. This furnishes opportunity for much first-hand contact and for introduction to the values which are to be established in the field of social experiences. Playing house, store, fire department, letter carrier, etc., with fidelity and devotion to actual detail, does much to help children to an intelligent understanding and appreciation of their environment, and to initiate that spirit of co-operation which must work out through them if they are to be happy, intelligent, helpful members of school and society.
       Dramatic play. Dramatic play deals with reproduction of experience gathered in the field of the past (primitive life, history), in fields remote from personal contact (for instance, geography), and in the idealized realm of literature, be it fairy tale, folklore, myth or whatever form the gem may take. Though dealing with material different in point of time, space, or reality, dramatic play has many of the same values as representative play, which is also, of course, dramatic in its expression. It gives to the child free and full expression through the body and the voice; it enlarges his horizon, exercises his imagination, enriches his experience; it gives him another's point of view and enables him to project himself into the lives of others, thus developing understanding, sympathy, and appreciation; by 'being some one else' and realizing in conduct the admirable qualities of another person, it starts the process of carrying these over into the child's own life and establishing permanent habits and ideals. This latter, of course, is only the beginning of a development which the wise teacher must encourage by elsewhere presenting conditions which will provide for repeated reaction along the desired paths of conduct. In addition to the above values the material used in dramatic play lays the foundation for the tastes and appreciations of things beautiful and worth while, which are so necessary to the background of every human being.
       Play and games as determined by season, location and other geographic and physiographic conditions. These are important leads to follow as introduction to interpretation of nature experiences. Flying kites; sailing boats; playing with bonfires; coasting; snowballing; skating; playing marbles, tops, jump-rope, rolling hoops; chewing birch, sorel, and other plant materials ; making daisy and dandelion chains; gathering materials for decoration; skipping stones ; digging and planting gardens; collecting stones, leaves, and other treasures; popping corn and chestnuts; baking apples; gilding nuts; stringing cranberries for the Christmas tree; feeding birds; caring for pets indoors and out all these and many more spontaneous activities are directly dependent upon physiographic and geographic conditions. Why not relate them to their natural background, interpret natural phenomena through them, and lead on from these simple relations to further appreciation and understanding of the beauty, the wonder, and the significance of nature? Effect and cause, mutual interdependence, the influence of geographic conditions on the lives of people, the gradual, increasing control by man of his physical environment all of these touch the lives even of children. In the simplest way we can employ these early points of contact and convert them into more far-reaching, ever-deepening, increasingly significant permanent controls.
       Social and folk games and play. This phase of play needs to be given no special emphasis here, as it is one of the child 's natural expressions in reacting to his social environment. It furnishes a valuable means for making the school a part of the child's real life.
       Play enters vitally into all of the child's problems and projects, and must be taken into account throughout any and all projects designed to instigate playful interactions between children and also when they play by themselves. It is, in fact, one of the most important factors in building up the physical and mental health of children. Krackowizer

Monday, February 12, 2018

Make a Waterfall from Papier-mâché...

Children can make some very charming toys from papier-
mâché. I must warn you, however, once they get started on
 projects like this one, their enthusiasm has no boundaries!
       Do your little ones collect dinosaurs to play with? Most American children love plastic dolls like these and what better craft activity for busy little hands than one that helps them to explore and shape a world where their toys can come to life?
       Gather the following supplies from your craft supply to begin shaping a similar "waterfall" for your plastic toy dinosaurs, jungle animals or action figures:

Supply List:
  • a tall, empty circular can (like a oatmeal box)
  • masking tape
  • white school glue
  • green tissue paper
  • brown paper bags
  • brown paper that reminds you of rock textures
  • fabric that looks like printed water
  • newsprint
  • Mod Podge (optional)
  • a small paint brush
Step-by-Step Directions:
  1. Start by forming the shape of a papier-mâché cliff from crushed newsprint, masking tape and an empty oatmeal carton. Crushing and mashing newspapers into round rock shapes is easy to do.
  2. Wrap your rock shapes with masking tape as you go and attach these to the empty oatmeal can in a random placement. Don't worry about the tape so very much until you've got a cliff that you like. This is a messy project!
  3. When you have finished with something acceptable, neatly apply small pieces of masking tape to the entire structure. Overlap some of the masking tape as you go.
  4. Now cover the entire form with generous smears of white glue and shredded brown paper bags. You are essentially layering the paper in order to strengthen your form. Let this dry overnight.
  5. After everything has dried, you are going to decorate the structure by alternating green tissue paper and the brown or grey looking paper that has texture. Use white glue or Mod Podge to attach the paper to the papier-mâché surface. 
  6. Attach the fabric that looks like water to an area of the papier-mâché cliff where you think it might be running between the rocks. I shaped a little pool at the bottom of my cliff where my dinosaurs could drink.
  7. Apply a generous amount of glue to the entire surface of your finished waterfall to give the overall project strength. After the surface has dried, store your papier-mâché in a large plastic tub along with your dinosaurs and play mats. Special storage not only keeps your toys picked up, but helps to preserve them for future play as well.
Above, you can see the stages of application for my papier-mâché water fall. I used a bit of artist's gel to apply the fabric water because I was worried about it adhering well. However, I found that after many applications the Mod Podge  and white Elmer's glue worked just as well. Don't be afraid to experiment with different glues, you'll find that there is a big difference in the cost of this project depending upon which glue you choose.
A toy stegosaurus followed by his euoplocephalus companion drink from the papier-mâché pool below. 
A tapejara balances at the top of the cliff waterfall.
Craft projects like these are excellent ways for older siblings to make a special gift for a
younger brother or sister's birthday or other holiday celebration like Christmas.
Close up of the textures used in the papier-mâché water fall.

How to make a more advanced waterfall model...

Tuesday, February 6, 2018

My Three Dolls

My Three Dolls
by Isabel Allardyce

I have three dolls, the dearest dolls
That ever you did see,
They're Clementine, and Rosabelle,
And Susan-Ann-Marie.
I'm very proud of Clementine,
For she's a lady fair
She has the daintiest dresses,
Blue eyes and golden hair;
So when my friends upon me call,
Or I go out to tea,
I always take my Clementine,
To show her off, you see.

Now Rasabelle's a baby doll,
So very big and fine
I don't know any one that has 
A baby doll like mine.
She's bigger than my cousin Dan,
Who's nearly six weeks old,
And when I want to carry her
She's more than I can hold;
And so I wheel her in a coach,
And O she looks so swell,
That all the children envy me
My baby Rosabelle.

But when I've been a naughty girl,
Or can't go out to tea,
Or when I'm ill, I play all day
With Susan-Ann-Marie.
For though I'm proud of Clementine,
And vain of Rosabelle,
I love my dear old raggy-doll
Far more than I can tell;
And every night she comes to bed,
And snuggles down with me,
She's such a very comfy thing,
Is Susan-Ann-Marie.