Tuesday, March 26, 2019

30 Vintage Labels for Crafting Doll Foods

The finished doll canned goods made for our American Girl Doll's food pantry.
        Here I have pictures of how I used my vintage labels to make canned goods for our American Girl Doll kitchen. You will need the following supplies to make the miniature doll foods: Mod Podge, white school glue, a printer, some thin cardboard (like cereal boxes), masking tape and silver acrylic paint.
       First you will need to print out the labels. These labels are very old, some of them date from as far back as 1915! I have cleaned, colorized and taken some of their elements out and improved some of the graphics. You may use them for your child's own doll food collection but, do not redistribute the labels from your own website. Read the terms of use here.
Left, cut out the labels. Center, cut long strips of cardboard to fit each individual canned food label
 after you have printed them out. Right, roll up the strips and tape the sides down once you have
 determined how tight these roll must be. It is not necessary for the rolls of cardboard tube to be as
 dense as you see them above here. These miniature cans are quite durable enough for play if they
 have much thinner interior walls.
       Next, cut a strip of cardboard for each canned food label measuring approximately sixteen inches in length and the width of the label's height. It is very important that you use relatively flimsy cardboard for this project. Because next you will need to roll it into the shape of a tube.
       You can 'soften' the cardboard up a bit by crushing it against the edge of a table. This will help it to curl up easier. Roll it up tight and then hold it between the tip of your index finger and thumb while wrapping the label around the cardboard form to see the size ratio of the cardboard can. If it is too small and the label overlaps too much, simple release the grip of your finger tips gently to let the cardboard spring out a bit. Use a piece of masking tape to stick the sides together once you have determined how thick the can shape needs to be.
       Set the tube on top of a piece of cardboard scrap and then drip white school glue down inside the tube. Allow the glue to dry. When it is dry, trim the bottom of the can and turn it over to glue a top piece of cardboard onto the remaining open end.
       Now apply the labels with Mod Podge. Let the glue dry and repeat several more layers of Mod Podge. If you don't have anything but white glue, you can use this to seal the labels as well. The Mod Podge just dries clearer.
       To give your canned food a professional look, paint the tops and bottoms of each can with grey or metallic silver paint.
Left and Center are the canned foods tubes lined up and waiting to dry before I trim the cardboard,
flip them over, and glue on a top for each. Right, is a photo of how the label will fit around the rolled
 tube once I apply the Mod Podge.
       Some of my food labels are for products that come in bags and frozen box food stuffs. I will post how I turned these into miniature groceries on a separate blog post and link it up below.
Food labels for asparagus, dill pickles, pineapple, cat food, strawberries, and pears.
Food labels for coffee, a sugar cured ham, a large sack of flour, spinach,
 apple sauce, pumpkin and peaches.
Food labels for cake flour, dried peas, evaporated milk, yams, 
dog food, loaf of artisan bread and tuna.

Thursday, March 21, 2019

Story-Telling Devices

       The following special devices are chosen from some of our most practical authorities:
       Edward P. St. John says: "One of the most important of these literary devices is the use of direct rather than indirect discourse. Through its use a certain vivacity of style is gained, and it adds movement and life-likeness to the tale. There is no easier way to give the semblance of reality to an imaginary tale than by letting the characters speak for themselves. The personality of the narrator is less intrusive, and the effect upon the hearer is that of looking on at a scene in real life."
       Miss Bryant says: "Explanations and moralizing are mostly sheer clutter. Some few stories necessarily include a little explanation, and stories of the fable order may quaintly end with an obvious moral. But here again the rule is great discretion."
       Again St. John says: " 'Take your time.' This suggestion needs explaining, perhaps. It does not mean license to dawdle. Nothing is much more annoying in a speaker than too great deliberateness, or than hesitation of speech. But it means a quiet realization of the fact that the floor is yours, everybody wants to hear you, there is time enough for every point and shade of meaning, and no one will think the story too long. This mental attitude must underlie proper control of speed. Never hurry. A business-like leisure is the true attitude of the story-teller." 
       The most important device, no doubt, is repetition. Says Miss Bryant: "The charm of repetition to children is a complex matter; there are undoubtedly a good many elements entering into it, hard to trace in analysis. But one or two of the more obvious may be seized and brought to view. The first is the subtle flattery of an unexpected sense of mastery. When the child-mind, following with toilful alertness a new train of thought, comes suddenly on a familiar epithet or expression, I fancy it is with much the same sense of satisfaction that we older people feel when in the midst of a long program of new music the orchestra strikes into something we have heard before."
       And St. John adds: "A very helpful device is the rhythmic repetition of certain significant words or phrases from time to time through the progress of the tale. In the fairy- and folk-tales, this frequently appears, as in case of the 'hoppity-kick. hoppity-kick' of the little half-chick, the 'trip-trop, trip-trop' of the three goats crossing the bridge, and the various remarks of the big bear, the middle-sized bear, and the little wee bear. In such cases, the story gains an added quaintness of form which has value in itself. The little child, puzzled by much that is unfamiliar, remembers the rhythmic phrase and welcomes it as we greet an old friend in a strange city." 

Wednesday, March 20, 2019

Weave Colorful Easter Baskets for Your Dolls

The finished basket.
       You may have learned how to weave a basket similar to this one in school. It is a smaller version of the same craft that many school teachers teach to children in the fourth and fifth grades in the U. S. Baskets like this one are made using small paper cups like Dixie cups. You can also cut a larger paper cup down a bit to make a doll sized basket as well, if you do not have smaller paper cups at home.

Supply List:
  • thin strips of colorful paper (I used quilling paper for my basket weave.)
  • small paper cups 
  • white school glue
  • hot glue gun and hot glue
  • Easter grass 
  • Mod Podge (optional)
  • ribbons for trimming (optional)
  • scissors
Step-by-Step pictures of - weaving a tiny
Easter basket for your dolls.
Step-by-Step Directions:
  1. First, cut a series of strips all around the cup's surface, starting from the rim and working your way  down to the bottom of the cup. You may prefer to cut a wavy pattern instead of straight cuts. This will ultimately determine the pattern of your basket weave. (pictured right) This cutting will act as the warp part of your basket weave.
  2. Then take a small amount of white glue and add it to the tip of your colorful quill paper. Tuck this behind one of the warp stripes and begin weaving the thin stripes of paper in and out of the warp strips. These colorful paper strips will act as the weft part of your basket weave.
  3. Work around the bottom fourth of your cup using hot pink, then purple, followed by the blue and last by the yellow, if you would like to make a pattern similar to the sample shown here.
  4. Use a toothpick to help push down the rows of paper weave as your proceed.
  5. Then used a soft, clean paint brush to layer Mod Podge on top of the weave work in order to keep it clean and in place. 
  6. Hot glue a white ribbon around the top rim of the cup to give it a finished look.
  7. Cut a long strip of white paper to act as a handle, hot gluing both ends to opposite sides of each other on the interior of the paper cup.
  8. Again trim the handle and the rim of the cup with additional paper ribbons and bows using yellow and hot pink paper.
  9. Now your doll sized, paper Easter basket is ready to fill with candy, chocolate, small toys etc....
See more examples of doll sized Easter baskets:

Tuesday, March 19, 2019

The Relation of Stories to Play

       The relation of a child's play to his favorite stories has been made a special study by Prof. H. M. Burr of the Y. M. C. A. Training College at Springfield, Mass., with the idea of taking advantage of its possibilities in education. He has planned a graded course in stories as follows:
  1. Cultural/Ethnic stories, such as: myths, legends and folk-lore. Stories appealing to the imagination and illustrating the attempts of the child to explain the wonders of the world in which he lives. 
  2. Stories of nature; animal and plant stories. 
  3. Stories of individual prowess; hero-tales like Samson, Hercules, etc. 
  4. Stories of early inventions. 
  5. Stories of great leaders and patriots. Social heroes from Moses to Washington. 
  6. Stories of love, altruism, love of woman, love of country and home, love of beauty, truth, and God.
       He suggests the possibility of associating with these stories, as appropriate means of expression, activities as follows:
  • With nature-stories, myths, and legends would be associated tramps in the woods and every variety of nature-study; care of animals, plants, etc.
  • With stories of individual prowess would be associated the individualistic games, athletic and gymnastic work for the development of individual strength and ability; also constructive work of the more elementary type: work with clay, knife-work, basket-weaving, etc.
  • With the stories of great leaders and patriots would be associated games which involve team-play, leadership, obedience to leader, and subordination of self to the group.
  • With the altruistic stories would be associated altruistic efforts in behalf of boys and girls who are less favored.

How to tell stories to children...

       First is personality. You must name and describe your hero. He is the child himself personalized. Then comes action. There must be a journey, a combat, a plot. Next is mystery, suspense, surprise. Finally the solution. With these simple elements anybody ought to tell a tale. They are the elements of the classics.
       "The climax," says Sara Cone Bryant, "is that which makes the story ; for it, all that precedes has prepared the way. It is the point upon which interest focuses. If a moral lesson is conveyed, it is here that it is enforced. Hence failure here means total failure. The reason why the 'good story' sometimes seems so dull when it is related by an appreciative hearer is that he has missed the point in retelling it."
       Says Wyche: "In telling a story one must be able to see clearly the mental picture in the story, and be able to create the picture anew each time the story is told, in words that are current with his audience. If the story-teller sees clearly the picture, he can make others see it. But the story has something more than imagery. It has emotion, and one must feel deeply the truth in the story. Feeling more than anything else will give one a motive for telling the truth. Frequently a story is told more than anything else to impart feeling. If we cultivate right emotions in the child, his deeds will be righteous."
       "The essential thing in a story is to make something happen." Miss Vostrovsky's study shows that in young children the interest in what was done leads all others, and that they put several times as much emphasis upon action as upon moral qualities, sentiment, feeling, esthetic details, and dress combined, while the thought of the actors received no mention at all. Adolescent boys demand "something doing" in their books, and in adults interest in action has hardly decreased.
       "For these reasons," says Edna Lyman, "let me urge you, when you are looking for stories to tell little children, to apply this threefold test as a kind of touchstone to their quality of fitness: Are they full of action, in close natural sequence? Are their images simple without being humdrum? Are they repetitive? The last quality is not an absolute requisite, but it is very often an attribute of a good child-story."
How to make a story. Storytelling Tutorial

Stories That Children Like at Different Ages

       Richard T. Wyche, founder of the National Story-Tellers' League, has made the following condensed statement of children's tastes in stories:
       "We find the child first in a poetic period, when he enjoys Mother Goose rhymes and jingles. Fairies and Santa Claus are the greatest characters in life to him. But then as he grows out of this period, he discovers that the cow did not jump over the moon, as the Mother Goose rhyme had it, and that Santa Claus is not as he thought at first. He becomes skeptical, an iconoclast. He wants to know if the story is true. Give him then heroic stories and history, like Hiawatha, Beowulf; the lives of pioneers and explorers like Columbus and Captain John Smith; and George Washington, Luther, and Wesley. This period might range from eight to twelve years.
       "From that period he is growing into the adolescent period; great changes are taking place both in his mind and in his body. He enjoys stories of romance, for he is in a romantic period. Give him the Arthurian stories, the whole of the 'Odyssey' story, and the great romances from the great story-books of the world. He is going to read some romantic story; tell him the great romantic stories, the great classics from the great story-books of the world, and he will not care to read the trashy story." 

Moral Truths May Be Very Effectively Conveyed by Story-Telling

       The story has moral value. Truth in an ethical statement is dead; in a story it lives, because the story shows how it has been lived by actual men and women. The confidence which the story suggests gives vital power to the child. Says Frances J. Olcott: "At story-telling time a child's mind is open to the deepest impressions. His emotions may be swayed towards good or bad. His imagination is active, making a succession of mental pictures. Through story-telling he may be taught the difference between right and wrong, and his mind stocked with beautiful mental images."
       "The story," says Louise Seymour Houghton, "is particularly valuable because it makes truth attractive. I am not now referring to fact but to truth. The truth, for example, that pagans are not necessarily excluded from the household of God, is not particularly interesting to the ordinary mind. But embody it in the story of Ruth, and how beautiful, how picturesque, poetic, pathetic, dignified a truth it becomes!" 
       Seumas MacManus, the famous Irish storyteller, says: "If you ask me to tell you in three words the benefits of story-telling, I will reply in ten words that besides giving the necessary mental occupation, story-telling will make the child father to a kindlier, more enthusiastic, more idealistic man than the one who is taught to scorn story-telling. . . . The story-telling nations of the world are the cheerful, social, enthusiastic, idealistic nations, and this is because story-telling to the child brings out all the better qualities - sympathy, imagination, warm-heartedness, sociability." 
       But why tell rather than read stories? Seumas MacManus answers: "Story-telling is superior to the written story chiefly because the man who writes is not in touch with the audience. The story-teller talks to you, and has to make a story from beginning to end, and every sentence has to be a part of the story, because he is within range of a brickbat and subject to the recall at any minute." 
       And why tell children stories rather than encourage them to read them themselves? Of course we do both, but MacManus answers again: "I think story-telling is to story-reading what the eating of a meal is to reading the bill of fare. The story-reading nations of the world are the morose nations, because the reader's a selfish man who goes away into a corner with his book, becomes oblivious to the world around him, and gives back to the world nothing."
Raising Children Network.

The Different Values of Story-Telling

       Story-telling has its physical value. At the end of the day in the home, or in the midst of commotion in the school, it calms the mind, rests the perturbed spirit, and even helps to prepare the body either for sleep or for renewed activity.
       The story-teller appeals not only to the intellect but to the feelings, and adds to the intellectual value of the tale the power of his own personality. Intellectually the story helps the imagination, leads to the love of good books and helps the child, as he retells the story himself, to a freer and more accurate use of language.
       Says a great story-teller: "In the school the story is used for language, composition and other formal work; but in the home we can tell a story for pure pleasure, and we should give children an opportunity to tell and retell stories. Children like to create and whether it be with sand, wood or words, the processes underlying it are the same. For a child to retell a story means that he enters into the spirit of it, that he sees clearly the mental picture, that he feels the underlying life of the story."
       The story is of social value. It interprets life to the child and, as it arouses his sympathies, enables him to live more broadly. It has the great advantage of drawing the child in bonds of affection to his elder. When you make a story of your own and tell it, the listener gets the story, plus your appreciation of it. It comes to him filtered through your own enjoyment. 
From Safe Kids Worldwide

Saturday, March 16, 2019

A Garden View for Your Doll's Kitchen Window

Restored for children's personal use only.
       Picture this lovely illustration of flower beds, a sundial, and a charming little shed trimmed with green shutters just outside your doll's kitchen window. She can look out into this cheerful view while washing the dishes or chopping the carrots. It's much preferable to staring into a blank wall through a grid isn't it?

Saturday, March 9, 2019

The Doll's Journey by Louisa M. Alcott

THE DOLLS' JOURNEY FROM MINNESOTA TO MAINE
A short story by Louisa M. Alcott, author of Little Women

"So nice!" she whispered when the dolls were laid beside her."
       Mr. Plum lived in St. Paul, Minnesota, U. S. A. There were six little Plums, all girls, varying in ages from fourteen to seven, and named Kate, Lucy, Susy, Lizzie, Marjory, and Maggie. There was no mamma, but Mrs. Gibbs, the housekeeper, was a kind old soul, and papa did everything he could to make the small daughters good and happy.
       One stormy Saturday afternoon the children were all together in the school-room, and papa busy at his desk in the library, with the door open because he liked to hear the pleasant voices and catch glimpses of the droll plays that went on there.
       Kate lay on the sofa reading "The Daisy Chain" for the fourth time. Susy, Lucy, and Lizzie were having a select tea party in their own recess, the entrance to which was barricaded with chairs to keep out the " babies," as they called the little ones, who were much offended at being excluded and sat up in the cushioned window-seat pensively watching the rain.
       "If it had only waited till to-morrow we should have had time for our journey; now we can't go till next Saturday. Flora is so disappointed she would cry if I had not taught her to behave," said Maggie with a sigh, as she surveyed the doll on her knee in its new summer suit.
       "So is Dora. Just see how sweet she looks with her hat and cape on and her traveling-bag all ready. Couldn't we play travel in the house ? It is such a pity to wait when the children are in such a hurry to go," answered Marjory, settling the tiny bag that held Dora's night-cap and gown as well as the morsels of cake that were to serve for her lunch.
       "No," said Maggie decidedly," we can't do it, because there is no room for carriages, and boats, and railroads, and hotels, and accidents. It is a long journey from Minnesota to Maine, and we couldn't get it all into one room I 'm sure."
       "I don't think papa would mind our coming into the library, if we didn't ring the car bells very loud or scream much when the accidents happen," said Marjory, who hated to give up the plan they had been cherishing all the week.
       "What is it, little ones? Come and tell me what is the matter," called Mr. Plum, hearing his name and the magic word " railroad," for he was the president of one and had his hands full just then.
       Down jumped the little girls and ran to perch on either arm of his chair, pouring out their small tribulations as freely as if he had been the most sympathizing of mothers.
       "We planned to take a long, long journey round the garden with our dolls to-day, and play go to Maine and see Aunt Maria. You know she asked us, and we looked out the way on the map and got all ready, and now it rains and we are dreadfully disappointed," said Maggie, while Marjory sighed as she looked at the red D. worked on the inch square traveling-bag.
       "As you can't go, why not send the dolls to make aunty a visit, and she will send them back when they get homesick," proposed Mr. Plum, smiling, as if a sudden idea had popped into his head.
       "Really?" cried Maggie.
       "How could we?" asked Marjory.
       "They could go and come by mail, and tell you all about their adventures when they got back," said papa.
       Both children were speechless for a moment, then as the full splendor of this proposition dawned upon them they clapped their hands, crying eagerly:
       "We will! we will! Let 's do it at once."
       "What? where? who?" asked Susy, Lucy, and Lizzie, forgetting their tea party to run and see what was going on.
       They were told; and in their turn exclaimed so loudly that Kate came to join in the fun.
       After a great deal of talking and laughing, the dolls were prepared for the long journey. They were common wooden-headed dollies, a hand long, with stuffed bodies and stout legs ornamented with very small feet in red and blue boots. Dora was a blonde and Flora a brunette, otherwise they were just alike and nearly new. Usually when people go traveling they put on their hats and cloaks, but these pilgrims, by papa's advice, left all encumbrances behind them, for they were to travel in a peculiar way, and blue gingham dresses were chosen for the expedition.
       "It is possible that they may never come back. Accidents will happen, you know. Are you prepared for that ? " asked Mr. Plum, pausing with the brown paper spread out before him.
       "I am," answered Maggie firmly, as she laid
       Flora on the table, her black eyes staring as if rather alarmed at this sudden start.
      Marjory hesitated a moment, clasping Dora to her bosom with a face full of maternal anxiety. But Susy, Lucy and Lizzie cried : " Let her go, do let her go, and if she is lost papa will give you a new doll."
       "Good-by, my darling dear. Have a splendid time, and be sure you come back to me," whispered Marjory, with a tender farewell kiss as she gave up her child.
       All stood watching silently while papa tied the dolls back to back with the ribbon Kate pulled from her neck, then folded them carefully in strong brown paper, leaving their heads out that they might see the world as they went along. Being carefully fastened up with several turns of cord, Mr. Plum directed the precious parcel to " Miss Maria Plum, Portland, Maine. With care." Then it was weighed, stamped, and pronounced ready for the post.
       "I shall write and tell aunty they are coming, because she will want to be prepared for such distinguished visitors," said papa, taking up his pen with a glance at the six excited little faces round him.
       Silence reigned while the letter was written, and as he sealed it up, Mr. Plum said solemnly, with his hand on the parcel:
       "For the last time, shall they go ? "
       "Yes!" answered the Spartan mothers with one voice, while the other sisters danced round them, and Kate patted the curly heads approvingly.
       "Going, going, gone!" answered papa as he whisked on his coat and hat, and slammed the door behind him.
       The children clustered at the window to see him set out on this momentous errand, and he often looked back waving his umbrella at them, till he vanished round the corner, with a reassuring pat on the pocket out of which dear Do and Flo popped their heads for a last look at their sweet home.
       "Now, let us take out poor old Lucinda and Eose Augusta to play with. I know their feelings were hurt at our leaving them for the new dolls," said Maggie, rummaging in the baby-house, whither Marjory soon followed her to reinstate the old darlings in the place of the departed new ones.
       "Safely off, " reported Mr. Plum, when he came in to tea, " and we may expect to hear from them in a week or two. Parcels go more slowly than  letters, and this is aunty's busy season, so wait patiently and see what will happen."
       "We will," said the little girls ; and they did, but week after week went by and nothing was heard of the wanderers.
       We, however, can follow them and learn much that their anxious mothers never knew.
       As soon as Flora and Dora recovered from the bewilderment occasioned by the confusion of the post office, they found themselves in one of the many leather mail bags rumbling Eastward. As it was perfectly dark they could not see their companions, so listened to the whispering and rustling that went on about them. The newspapers all talked politics, and some of them used such bad language that the dolls would have covered their ears, if their hands had not been tied down. The letters were better behaved and more interesting, for they told one another the news they carried, because nothing is private in America, and even gummed envelopes cannot keep gossip from leaking out.
       "It is very interesting, but I should enjoy it more if I was not grinding my nose against the rough side of this leather bag," whispered Dora, who lay undermost just then.
       "So should I, if a heavy book was not pinching  my toes. I 've tried to kick it away, but it won't stir, and keeps droning on about reports and tariffs and such dull things," answered Flora, with a groan.
       "Do you like traveling ? " asked Dora, presently, when the letters and papers fell asleep, lulled by the motion of the cars.
       "Not yet, but I shall when I can look about me. This bundle near by says the mails are often sorted in the cars, and in that way we shall see something of the world, I hope," answered Flora, cheering up, for, like her mamma, she was of an enquiring turn.
       The dolls took a nap of some hours, and were roused by a general tumbling out on a long shelf, where many other parcels lay, and lively men sent letters and papers flying here and there as if a whirlwind was blowing. A long box lay beside the dolls who stood nearly erect leaning against a pile of papers. Several holes were cut in the lid, and out of one of them was thrust a little black nose, as if trying to get air.
       "Dear me ! what can be in it ? " said Flora, who was nearest.
       "I 'm a poor little alligator, going to a boy in Chicago, if you please, and I want my mother," sobbed a voice from the box, and there was a rap on the lid as of an agitated tail.
       "Mercy on us ! I hope we shall not have to travel with the monster," whispered Dora, trying to see over her shoulder.
       "I 'm not afraid. He can't be very dreadful, for the box is not any longer than we are. Natural history is very useful ; I 've heard mamma say so, and I shall talk with him while we rest here," answered Flo, nodding toward the eye which now took the place of the nose.
       So the little alligator told her something of his home on the banks of a great river, where he was just learning to play happily with his brothers and sisters, when he was caught and sent away to pine in captivity.
       The dolls comforted him as well as they could, and a pair of baby's shoes travelling in an envelope sympathized with him, while a shabby bundle directed to " Michael Dolan, at Mrs. Judy Quin's, next door to Mr. Pat Murphy, Boston, Korth Street," told them to " Whisht and slape quite till they came forninst the place."
       "Such low people!" whispered Do to Flo, and both stood primly silent till they were tumbled into another mail bag, and went rattling on again with a new set of companions.
       "I hope that poor baby will go safely and the boy be good to him," said Flora, for the little alligator went with the live stock in some other way.
       "Thank goodness he didn't go with us ! I shall dream about that black nose and winking eye, I 'm sure. The dangers of traveling are great, but we are safe and comfortable now, I think," and Dora settled down in a cozy corner of the bag, wondering when they should reach Chicago.
       "I like adventures and hope we shall have some," answered Flora, briskly, little dreaming how soon her wish was to be granted.
       A few hours later there came a bump, a crash, a cry, and then all the mail bags rolled one over the other with the car down an embankment into a river.
       " Now we are dead!" shrieked the poor dolls, clinging together as they heard the splash of water, the shouting of men, the splintering of wood, and the hiss of steam.
       "Don't be frightened, ladies, mail bags are always looked after," said a large envelope with an official seal and the name of a Senator on it.
       "Any bones broken, dear madam ? " asked a jaunty pink letter, with a scent of musk about it, evidently a love-letter.
       "I think one foot is hurt, and my clothes are dripping," sighed Dora, faintly.  
       ""Water won't hurt calico," called out a magazine full of fashion plates, adding dolefully, as its gay colors began to run, " I shall be in a nice mess if I ever get out of this. People will wear odd fashions if they follow me this time."
       "Hope they will telegraph news of this accident in time for the evening papers," said a dingy sheet called the " Barahoo Thunderbolt," as it lay atop of the heap in its yellow wrapper.
       "Be calm, my friends, and wait with fortitude for death or deliverance, as I do." With which philosophic remark " The St. Louis Cosmos " folded the pages which for the first time since the paper
was started, were not dry.
       Here the water rose over the topmost letter and a moist silence prevailed till a sudden jerk fished up the bag, and before the dolls could recover their wits they were spread out on the floor of a mail car to dry, while several busy men sorted and saved such papers and letters as still held together.
       "Now we shall see something," said Flora, feeling the warm air blow over her as they spun along, for a slight accident like this did not delay the energetic Westerners a moment longer than was absolutely necessary.
       "I can't see you, dear, but I hope you look better than I do, for the yellow of my hair has washed into my eyes, and the red of my cheeks is quite gone, I 'm sure," answered Dora, as her wet dress flopped in the breeze and the broken foot sticking up showed her that her blue boots were ruined.
       "I don't care a bit how I look. It 's great fun now we are safe. Pop up your head and see the wide prairie flying past. I do hope that poor baby got away and swam home to his mother. The upset into the river was quite to his taste, I fancy," said Flora, who was much excited by her adventure and eager for more.
       Presently one of the men set the dolls up in the corner of a window to dry, and there they stood viewing the fine landscape with one eye while the other watched the scene of devastation within. Everything was in great confusion after the accident, so it is not strange that the dolls were not missed when they slowly slid lower and lower till a sudden lurch of the car sent them out of the window to roll into a green field where cows were feeding and children picking strawberries.
       "This is the end of us ! Here we shall lie and would forgotten by everybody," said Dora, who always took a tragical view of things.
       "Not a bit of it ! I see cows eating toward us, and they may give us a lift. I 've heard of their tossing people up, though I don't know just how it's done.. If they don't, we are in the path and some of those children are sure to find us," answered Flora cheerfully, though she stood on her head with a bunch of burrs pricking her nose.
       She was right. A bright-eyed little German girl presently came trotting along the path with a great basket full of berries on her head arranged in pretty pottles ready for the market. Seeing the red cow sniffing at a brown paper parcel she drove her away, picked it up, and peeped in at the open end.
       The sight of two dolls in such a place made her feel as if fairies had dropped them there for her. She could not read the direction, and hurried home to show her treasure to her brothers and sisters of whom there were eight.
       "What will become of us now ! " exclaimed Dora, as eager hands slipped them out of the wrapper and smoothed their damp skirts in a room that seemed swarming with boys and girls of all sizes.
       "Don't worry, we shall get on nicely, I 'm sure, and learn German of these young persons. It is a great relief to be able to stretch one's limbs, and stand up, isn't it?" answered Flora, undismayed by anything that had happened as yet.
       "Yes, dear, I love you, but T am tired of being tied to you all day. I hope we shall live through this noise and get a little rest, but I give up the idea of ever seeing Portland," answered Dora, staring with all her blue eyes at the display of musical instruments about the room, and longing to stop her ears, for several of the children were playing on the violin, flute, horn or harp. They were street musicians, and even the baby seemed to be getting ready to take part in the concert, for he sat on the floor beside an immense bass horn taller than himself, with his rosy lips at the mouth-piece and his cheeks puffed out in vain attempts to make a " boom ! boom ! " as brother Fritz did.
       Flora was delighted, and gave skips on her red boots in time to the lively tooting of the boys, while the girls gazed at the lovely dolls and jabbered away with their yellow braids quivering with excitement.
       The wrapper was laid aside till a neighbor who read English came in to translate it. Meantime they enjoyed the new toys immensely, and even despondent Dora was cheered up by the admiration she received ; while they in their turn were deeply interested in the pretty dolls' furniture some of the children made.
       Beds, tables, and chairs covered the long bench, and round it sat the neat-handed little maidens gluing, tacking and trimming, while they sang and chatted at their work as busy and happy as a hive of bees.
       All day the boys went about the streets playing, and in the evening trooped off to the beer gardens to play again, for they lived in Chicago, and the dolls had got so far on their way to Aunt Maria, as they soon discovered.
       For nearly two months they lived happily with Minna, Gretchen and Nanerl, then they set out on their travels again, and this was the way it happened. A little girl came to order a set of furniture for her new baby-house, and seeing two shabby dolls reposing in a fine bed she asked about them. Her mamma spoke German so Minna told how they were found, and showed the old wrapper, saying that they always meant to send the dolls on their way but grew so fond of them they kept putting it off.
       "I am going as far as New York very soon and will take them along if you like, for I think little Miss Maria Plum must have been expecting her  dolls all this time. Shall I ? " asked the mamma, as she read the address and saw the dash under " With care," as if the dollies were of great importance to some one.
       "Ja, ja," answered Minna, glad to oblige a lady who bought two whole sets of their best furniture
and paid for it at once.
       So again the dolls were put in their brown paper cover and sent away with farewell kisses.
       "This now is genteel and just suits me," said Dora, as they drove along with little Clara to the handsome house where she was staying.
       "I have a feeling that she is a spoilt child, and we shall not be as happy with her as with the dear Poppleheimers. We shall see," answered Flora, wisely, for Clara had soon tossed the dolls into a corner and was fretting because mamma would not buy her the big horn to blow on.
       The party started for New York in a day or two, and to the delight of Flo and Do, they were left out of the trunks for Clara to play with on the way, her own waxen Blanche Marie Annabel being too delicate to be used.
       "Oh, my patience, this is worse than tumbling about in a mail-bag," groaned Dora, after hours of great suffering, for Clara treated the poor dolls as if they had no feeling.
       She amused herself with knocking their heads together, shutting them in the window with their poor legs hanging out, swinging them by one arm, and drawing lines with a pencil all over their faces till they looked as if tattooed by savages. Even brave Flora was worn out and longed for rest, finding her only comfort in saying, " I told you so," when Clara banged them about, or dropped them on the dusty floor to be trampled on by passing feet.
       There they were left, and would have been swept away if a little dog had not found them as the passengers were leaving the car and carried them after his master, trotting soberly along with the bundle in his mouth, for fortunately Clara had put them into the paper before she left them, so they were still together in the trials of the journey.
       "Hullo, Jip, what have you got ? " asked the young man as the little dog jumped up on the carriage seat and laid his load on his master's knee, panting and wagging his tail as if he had done something to be praised for.
       "Dolls, I declare! What can a bachelor do with the poor things ? Wonder who Maria Plum is? Midge will like a look at them before we send them along ; " and into the young man's pocket they went, trembling with fear of the dog, but very grateful for being rescued from destruction.
       Jip kept his eye on them, and gave an occasional poke with his cold nose to be sure they were there as they drove through the bustling streets of New York to a great house with an inscription over the door.
       "I do hope Midge will be a nicer girl than Flora. Children ought to be taught to be kind to dumb dolls as well as dumb animals," said Dora, as the young man ran up the steps and hurried along a wide hall.
       "I almost wish we were at home with our own kind little mothers," began Flo, for even her spirits were depressed by bad treatment, but just then a door opened and she cried out in amazement, " Bless my heart, this man has more children than even Mr. Poppleheimer ! "
       She might well think so, for all down both sides of the long room stood little white beds with a small pale face on every pillow. All the eyes that were opened brightened when Jip and his master came in, and several thin hands were outstretched to meet them.
       "I've been good. Doctor, let me pat him first," cried one childish voice.
       "Did you bring me a flower, please?" asked another feeble one.
       "I know he 's got something nice for us, I see a bundle in his pocket," and a little fellow who sat up among his pillows gave a joyful cough as he could not shout.
       "Two dollies for Midge to play with. Jip found them, but I think the little girl they are going to will lend them for a few days. We shall not need them longer, I 'm afraid," added the young man to a rosy-faced nurse who came along with a bottle in her hand.
       "Dear no, the poor child is very low to-day. But she will love to look at the babies if she isn't strong enough to hold 'em," said the woman, leading the way to a corner where the palest of all the pale faces lay smiling on the pillow, and the thinnest of the thin hands were feebly put up to greet the Doctor.
       "So nice!" she whispered when the dolls were laid beside her, while Jip proudly beat his tail on
the floor to let her know that she owed the welcome gift to him.
       For an hour Flo and Do lay on the arm of poor Midge, who never moved except to touch them now and then with a tender little finger, or to kiss them softly, saying, " Dear babies, it is very nice  not to be all alone. Are you comfy, darlings?" till she fell asleep, still smiling.
       "Sister, do you think this can be the Heaven we hear people talk about ? It is so still and white, and maybe these children are angels," whispered Dora, looking at the sweet face turned toward her with the long lashes lying on the colorless cheek, and the arms outstretched like wings.
       "No, dear, it is a hospital, I heard that man say so, and those are sick children come to be cured. It is a sweet place, I think, and this child much nicer than that horrid Clara," answered Flo, who was quicker to hear, see and understand what went on than Dora.
       "I love to lie here safe and warm, but there doesn't seem to be much breath to rock me," said Do, who lay nearest the little bosom that very slowly rose and fell with the feeble flutter of the heart below.
       "Hush, we may disturb her," and lively Flo controlled her curiosity, contenting herself with looking at the other children and listening to their quiet voices, for pain seemed to have hushed them all.
       For a week the dolls lay in Midge's bed, and though their breasts were full of sawdust, and their heads were only wood, the sweet patience of the little creature seemed to waken something like a heart in them, and set them thinking, for dolls don't live in vain, I am firmly persuaded.
       All day she tended them till the small hands could no longer hold them, and through the weary nights she tried to murmur bits of lullabies lest the dollies would not be able to sleep because of the crying or the moans some of the poor babies could not repress. She often sent one or the other to cheer up some little neighbor, and in this way Do and Flo became small sisters of charity, welcomed eagerly, reluctantly returned, and loved by all, although they never uttered a word and their dingy faces could not express the emotion that stirred their sawdust bosoms.
       When Saturday night came they were laid in their usual place on Midge's arm. She was too weak to kiss them now, and nurse laid their battered cheeks against the lips that whispered faintly, " Be sure you send 'em to the little girl, and tell her - tell her - all about it." Then she turned her cheek to the pillow with a little sigh, and lay so still the dolls thought she had gone to sleep.
       She had, but the sweet eyes did not open in the morning, and there was no breath in the little breast to rock the dolls any more.
       "I knew she was an angel, and now she has flown away," said Dora softly, as they watched the white image carried out in the weeping nurse's arms, with the early sunshine turning all the pretty hair to gold.
       "I think that is what they call dying, sister. It is a much lovelier way to end than as we do in the dust-bin or rag-bag. I wonder if there is a little Heaven anywhere for good dolls ? " answered Flora, with what looked like a tear on her cheek ; but it was only a drop from the violets sent by the kind Doctor last night.
       "I hope so, for I think the souls of little children might miss us if they loved us as dear Midge did," whispered Dora, trying to kiss the blue flower in her hand, for the child had shared her last gift with these friends.
       "Why didn't you let her take them along, poor motherless baby ? " asked the Doctor, when he saw the dolls lying as she had left them.
       "I promised her they should go to the girl they were sent to, and please, I 'd like to keep my word to the little darling," answered Nurse with a sob.
       "You shall," said the Doctor, and put them in his breast pocket with the faded violets, for everybody loved the pauper child sent to die in a hospital, because Christian charity makes every man and woman father and mother to these little ones.
       All day the dolls went about in the busy Doctor's pocket, and I think the violets did them good, for the soft perfume clung to them long afterward like the memory of a lovely life, as short and sweet as that of the flowers.
       In the evening they were folded up in a fresh paper and re-directed carefully. The Doctor wrote a little note telling why he had kept them, and was just about to put on some stamps, when a friend came in who was going to Boston in the morning.
       "Anything to take along, Fred?" asked the new-comer.
       "This parcel, if you will. I have a feeling that I 'd rather not have it knocked about in a mail bag," and the Doctor told him why.
       It was pleasant to see how carefully the traveler put away the parcel after that, and to hear him say that he was going through Boston to the mountains for his holiday, and would deliver it in Portland to Miss Plum herself.
       "Now there is some chance of our getting there," said Flora, as they set off next day in a new Eussia leather bag.
       On the way they overheard a long chat between some New York and Boston ladies which impressed them very much. Flora liked to hear the fashionable gossip about clothes and people and art and theaters, but Dora preferred the learned conversation of the young Boston ladies, who seemed to know a little of everything, or think they did.
       "I hope mamma will give me an entirely new wardrobe when I get home; and we will have dolls' weddings and balls, and a play, and be as fine and fashionable as those ladies down there," said Flora, after listening a while.
       "You have got your head full of dressy ideas and high life, sister. I don't care for such things, but mean to cultivate my mind as fast as I can. That girl says she is in college, and named over more studies than I can count. I do wish we were to stop and see a little of the refined society of Boston," answered Dora, primly.
       "Pooh!" said Flo, " don't you try to be intellectual, for you are only a wooden-headed doll. I mean to be a real Westerner, and just enjoy myself as I please, without caring what other folks do or think; Boston is no better than the rest of the world, I guess."
       Groans from every article in the bag greeted this disrespectful speech, and an avalanche of Boston papers fell upon the audacious doll. But Flo was undaunted, and shouted from underneath the pile: "I don't care! Minnesota forever!" till her breath gave out.
       Dora was so mortified that she never said a word till they were let out in a room at the Parker House. Here she admired everything, and read all the evening in a volume of Emerson's Poems from the bag, for Mr. Mt. Vernon Beacon was a Boston man, and never went anywhere without a wise book or two in his pocket.
       Flo turned up her nose at all she saw, and devoted herself to a long chat with the smart bag which came from New York and was full of gossip.
       The next afternoon they really got to Portland, and as soon as Mr. Beacon had made his toilet he set out to find little Miss Plum. When the parlor door opened to admit her he was much embarrassed, for, advancing with a paternal smile and the dolls extended to the expected child, he found himself face to face with a pretty young lady, who looked as if she thought him a little mad.
       A few words explained the errand, however, and when she read the note Aunt Maria's bright eyes were full of tears as she said, hugging the dilapidated dolls:
       "I'll write the story of their travels, and send the dear old things back to the children as soon as possible."
       And so she did with Mr. Beacon's help, for he decided to try the air of Portland, and spent his vacation there. The dolls were re-painted and redressed till they were more beautiful than ever, and their clothes fine enough to suit even Flo.
       They were a good while doing this, and when all was ready, Aunt Maria took it into her head
to run out to St. Paul and surprise the children. By a singular coincidence Mr. Beacon had railroad business in that direction, so they set off together with two splendid dolls done up in a gay box.
       All that was ever known about that journey was that these travelers stopped at the hospital
in New York, and went on better friends than before after hearing from the good Doctor all the pathetic story of little Midge.
       The young Plums had long ago given up the hope of ever seeing Do and Flo again, for they
started in June, and it was early in September when Aunt Maria appeared before them without the least warning, accompanied by a pleasant gentleman from Boston.
       Six kisses had hardly resounded from aunty's blooming cheeks when a most attractive box was
produced from the Eussia leather bag, and the wandering dolls restored to the arms of their enraptured mammas.
       A small volume neatly written and adorned with a few pictures of the most exciting incidents of the trip also appeared.
       "Every one writes or prints a book in Boston, you know, so we did both," said Aunt Maria, laughing, as she handed over the remarkable history which she had composed and Mr. Beacon illustrated.
       It was read with intense interest, and was as true as most stories are nowadays.
       "Nothing more delightful can happen now!" exclaimed the children, as they laid by the precious work and enthroned the traveled dolls in the place of honor on the roof of the baby-house
       But something much more delightful did happen; for at Thanksgiving time there was a wedding at the Plums'. Not a dolls wedding, as Flo had planned, but a real one, for the gentleman from Boston actually married Aunt Maria.
       There were six bridesmaids, all in blue, and Flora and Dora, in the loveliest of new pink gowns, were set aloft among the roses on the wedding-cake, their proper place as every one said, for there never would have been any marriage at all but for this Dolls' Journey From Minnesota to Maine.

Friday, March 8, 2019

Make Doll Easter Bonnets from Paper Dishes!

       You don't need to spend much money to make a Easter bonnet for a doll. Look around the house and in the cupboards for a few ordinary supplies and soon you will be crafting all kinds of bonnets for Spring for every doll in your collection! We had so much fun choosing color and pattern combinations for our dolls. Below our 14" doll models a pale blue and white hat for our first hat craft version.

"Dell" our Heart For Hearts doll, models this Easter bonnet made
 from paper dishes.
  Supply List:
  • paper cups and plates
  • white ribbon
  • white cupcake liners
  • decorative scrapbook paper
  • white school glue
  • hot glue and hot glue gun
  • masking tape
  • extra cardboard 
  • pinking shears (optional)
  • ribbon for the tie
Step-by-Step Directions:
  1. Select a paper cup by fitting it to the doll that you wish to make a hat for.
  2. Then cut the paper cup down to that size minus the rim. 
  3. Take the larger edge of the cup and place it in the center of your small paper plate. Trace around the circumference with a pen or pencil and cut the circle out. This will be the opening for the larger lip of the cup to fit through. 
  4. Next take the smaller side of the cup and trace this opening onto a piece of cardboard and trace around it. 
  5. Now cut this cardboard circle out and glue the edge of it to fit the smaller end of your cup on top. Let it dry and trim off the edges with a pair of scissors. 
  6. Fit the larger opening through the paper plate's hole with the brim of the hat facing down.  Use glue and masking tape to hold the pieces of your paper hat together. 
  7. When the initial hat form is dry, shred small pieces of white typing paper and glue these down to the edges where the two paper dishes meet to give them strength. Start with the inside of the hat form and work your way around to the outside of the paper hat.
  8. Use a pair of pinking shears to trim off the edges of the hat's brim after all of the glue had dried.
  9. Then cut the rippled edges of five or six white cupcake liners to paste to the inside of the rim of the doll's hat, this cover the areas of paper mache neatly and will gave the hat a finished look. 
  10. Cut a long strip of decorative scrapbook paper to be a hat band. I cut a very wide hat band in order to cover the printed areas of the paper cup.
  11. Trim the top of hat with paper cupcake liners or scrapbook paper using white glue to finish off the last layer of paper mache.
  12. Now make small bows, flowers, or shapes to hot glue in place if you wish to add these. I made a small bow with ruffled edges cut from the cupcake liners. But, you may choose to decorate the band of your paper hat differently.
  13. Hot glue a ribbon to either side of the hat interior to tie the hat around the chin of your doll. Each ribbon should be no shorter than eight inches if you are making the hat for either a 14" or an 18" doll.
(1.) Left, small paper plates and medium sized paper cups for our 14" doll's head.
(2.) Center, you can see the first circle is traced with a red marker onto the paper plates center.
I will cut this our in order to fit the altered cup inside. Right, now my paper cup hat has both a brim
 and I have also glued an additional cardboard piece to the top of the hat to close up the
second smaller hole.
(6.) Left, cut this cardboard circle out and glue the edge of it to fit the smaller end of your cup on top.
Let it dry and trim off the edges with a pair of scissors. (6.) Center. see the interior of the
 hat being glued and taped firmly in place. Right, the finished result after gluing a
plaid band with a bow in place.
Our doll Dell wears the finished Easter bonnet made from a paper plate, a paper cup and a bit of creativity.
 I think the blue plaid band flatters her eyes!
Make more paper hats for your dolls:

Wednesday, March 6, 2019

DIY Miniature Vegetable Salads

Above you can see our doll's chopped salads: 1. coleslaw, 2. creamy potato salad topped with
hard-boiled eggs, 3. succotash and 4. peas with carrots.

       Delectable, classic and good for you too, these hand-crafted, miniature chopped salads require the following supplies to make: three colors of green craft foam, plus white, orange, red and yellow craft foam sheets, tiny sharp scissors, white school glue, Mod Podge, Sculpey clay and green acrylic paint for your 18 inch dolls. You will also need toothpicks for stirring and small doll sized containers. I purchased these from the local supermarket; normally these would be used to distribute condiments such as: mustard, ketchup, mayo etc... I also made good use of a whole punch in order to cut a few carrots and the centers of my hard boiled eggs.

Above you can see the cut craft foam is sorted into sandwich bags and the
plastic condiment container with a lid used for storage of the mini doll
salads until these are ready to be played with.
10 Tips For Making Miniature Doll Food:
  1. Use tiny sandwich bags to sort the colors and shapes of your foam as you work. Whenever you cut foam down to this size, it has a tendency to float away and stick to nearly every surface.
  2. Use larger scissors to cut long narrow strips of foam at first and then switch to very sharp, smaller scissors to cut the foam into tinnier shapes second. 
  3. Initially glue together the tiny shapes using white school glue inside of a container. This will keep the salads in tact as you work. Later, you will need to cover as much of the surface as you can with Mod Podge. Mod Podge is a stronger variation of the same sort of glue as white school glue and it will indeed keep your creations together longer.
  4. Stir the miniature parts using a toothpick. You want to do this movement using as narrow a surface as possible so that the craft foam and tiny sculpted pieces will not stick and spread onto other surfaces while you work. When you are working with tools and supplies this tiny, to loose ten or more cuts makes a huge difference in creating more work for yourself!
  5. Go slow. Crafting miniatures is a meticulous process and requires much time to work with the materials in order to make something visually convincing. Choose a lazy Sunday afternoon or a rainy day when there is nothing else to accomplish, to make this sort of craft. 
  6. Sometimes hole punches get dull fast when using them with craft foam, so I recommend that you only use a very old tool for this.
  7. When working with Sculpey (oven bake clay) in such tiny proportions, it is best to bake them in a pie container so nothing rolls away into your oven during the process. 
  8. Do not bake these tiny pieces for too long in your 275 degree oven! It only takes three to five minutes to harden them when the clay is thin. If you burn them just a little, however, the clay may still be painted and used.
  9. When painting tiny sculpted foods like peas, simply fill a small container with a bit of your paint and dip/roll the shapes into it. Set them out on wax paper to dry. Use a toothpick to separate the peas from each other while they dry. Then add them to your salads with glue afterwards.
  10. Remember salads are the kinds of miniature foods that may become easily lost if not presented in one lump, glued together. Choose tiny porcelain dishes or dishes that you make to give your dolls this treat and glue together the small parts.

Take a container of coleslaw along on a picnic with your American Girl Doll.

       Cut the cabbage and carrot coleslaw using larger, long narrow cuts first. Then cut the slices of green, white and orange craft foam down into tinnier snippets to get the chopped slaw effect.

Carrots and peas are a food staple for our families dolls.

       Use a hold punch to make 'chopped' looking carrot slices from orange craft foam. Roll out Sculpey into long narrow snake shapes, then clip tiny pieces into small chunks before rolling these between your finger tips to make tiny pea shapes. Bake these in the oven and remove to dip them into a tiny cup of green acrylic paint. Pick them out of the cup with a toothpick and set them onto wax paper to dry. Mix the peas and carrots together dry or with glue.

Succotash is full of complex flavors and may be served up hot for long wintry days or
 chilled with lettuce for a summer picnic. It's one of our doll's favorite side dishes!

       I combined both a few green Sculpey peas and a variety of chopped foam in the following colors: yellow, red and three shades of green to make succotash. Go heavy on the yellow foam for the corn in this dish. I stirred this combination together in glue.

Potato salad with hard-boiled eggs, some dolls love it, others could live without.

       To make my creamy potato salad, I rolled out tiny balls of Sculpey clay and cut these with a knife into random odd shapes, just as I would do when making a real potato salad. Then I baked these shapes and left them unpainted. Next I punched out a few round, dark green pickles and yellow yolks for the hard-boiled eggs, using the hole punching tool. I also cut a few, lighter green stalks of celery and egg whites using my craft foam.
       Some young children have never tried the foods I've included here for their dolls. However, all of these dishes are simply delicious! Why not try serving them up today? Below are some recipes our family enjoys frequently.

Sunday, March 3, 2019

Color The Five O'clock Tea Party

Description of Coloring Page: little mother, little girl, tea with dolls, small child furniture, tea set, pillows as props, color children playing with their dolls

Don't forget to drag the png. or jpg into a Word Document and enlarge the image as much as possible before printing it folks. If you have a question about this coloring page, just type into the comment box located directly below this post and I'll try to get back to you as soon as I can.

Monday, February 25, 2019

Make Tom, The Piper's Son Run!

       The many little Mother Goose rhymes, of which "Tom, the Piper's Son" is one, were not written by Mother Goose at all originally. They were composed by a Frenchman named Charles Perrault, who lived in the latter part of the Seventeenth Century. He had children of his own, and they delighted in getting him to tell them stories. After a while, when he was an old man it occurred to him that other children might like to hear his stories too, so he write them down and dedicated the book to the royal children of France. In order to make them interesting to these children he pretended that his own youngsters had written the tales.
"Here is Tom, the Piper's son, with a bit of string you can make him run.
And unless he runs away too soon, he'll dance if you play a little tune."
Directions:
  1. Click directly on the image to download the largest possible file.
  2. Print the image out in a program like WORD, extending the boarders out so that it may be printed as large as possible.
  3. Print then cut out the pieces of Tom and his pig.
  4. Mount the parts of the figure onto cardboard.
  5. Color the hat and buckles yellow and the checks of the suit blue.
  6. Make the trimming, tie a orange ribbon on the hat.
  7. Stripe the stocking with bright colors.
  8. With a strong thread fasten the arms to the body and with another the legs to the body.
  9. Tie a piece of elastic to use as a string to run through the figure at the point marked "x"
  10. Fasten the end of the elastic to a chair or something solid and by holding the end of the string you can make the figure run or dance.