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Friday, October 17, 2025

Grandpa Grimm Remembers His Childhood . . .

Grandpa Grimm's Early History, as told to B. Grimm, his daughter-in-law, August, 1970s during a family interview.

       Three years old--that is as far back as I remember." It was 1896, the year of the "Great Cyclone." My father, mother, two brothers and myself were living on the second floor at 3649 Wisconsin Avenue, in St. Louis, when, one day, I saw the bricks flying off the house next door to us. The man living downstairs, who weighed 200 lbs., insisted that we come there, and I remember him leaning against the door with his full weight to keep it from blowing open. I looked out a window and saw the roof blowing off the school across the street. However, the only damage to our house was a broken kitchen window.
      I was born in 1893, in an upstairs room of a single flat at 1960 Arsenal Street in St. Louis. I was the third son, after William and Otto, born to my parents. Another brother, Charles (Charlie Grimm) was born in 1898. The only daughter born was Margaret during Grover Cleveland's Administration when there was a depression. My Daddy was a painter who drove a beer truck, harnessed to a horse, for Weiss Beer. My father was from Munich, Germany, while my mother was a native St. Louisan. I especially remember my mother explaining about President McKinley and the Spanish-American War during the years of 1898 and 1899. When President McKinley was assassinated I heard the bell on the firehouse ringing on the day he was buried and saw black crepe drapes hung all over the engine house.
      There was a diphtheria epidemic in 1895. Both my brother Otto, and I caught it. I was more sick than Otto, but Otto died from it. I remember the day Charlie was born. I was playing on the sidewalk, not a concrete sidewalk like today, but just cinders and ashes. I had a "Poppet Show" on a string and was pulling it up and down the sidewalk. (A "Puppet Show" was made in a shoe box and at night a candle was put inside to light it.) I saw the doctor go upstairs, and then a midwife also came through the front gate. I didn't know what was happening, but when I went upstairs I "had a little brother!"
      At another time when I was attending night school classes, my mother complained of feeling ill. When I left for school she was resting in the bedroom. I came home later and there was my baby sister, Margaret.
      I went to Kindergarten at Shepherd School, the same school my mother had attended. It was across the street from our house. My mother had learned German in the morning and English in the afternoon, but when I went everything was in English. However, I knew German. My parents always spoke German; my mother talked in English to us but in German to my father. I stayed at Shepherd School until the fifth grade when we moved to North St. Louis.
      In the meantime, my father had a steady job painting at the Columbia Brewery at 20th and Madison. We then lived at 2912 Madison, on the second floor. I went to Penrose School until the 8th grade and Charlie went to kindergarten at Penrose.
      About the time of the World's Fair, 1903, we moved to 1617 North Jefferson, again on the second floor of a four-family flat. There were three rooms; a "front room" for the boys, a bedroom in the center, and a huge kitchen. The plumbing facilities were outside. A hard-coal stove was in the middle room, a wood-burning range in the kitchen, but the "front room" was always cold.
      I went to the World's Fair on a streetcar several times and especially recall going on the final day when everything was free. I was ten years old and was interested in all the buildings like the agriculture and transportation ones. "The Pike," the sideshow, had all kinds of sights. There was a Wild West Show and a shooting gallery. There was a "Talking Horse" -- I remember his name was Jim Key. The huge Ferris wheel had a flower garden planted all around it in the shape of a clock. I saw this same Ferris wheel during World War I in Paris and rode on it there. (Actually, this had to be a new Ferris wheel, the one in Saint Louis was torn apart for scrap.) Cotton candy, called "Fairy Floss" came in big bunches for a nickle or dime. The most I ever spent at the Fair was 25 cents that would be equivalent to $1.50 today.
      I left the eighth grade when I was twelve years old, before graduation, because I wanted to go to work. I got a permit to work and worked for two years at the Friedman-Shelley Co. Those were "sweat shop" days, ten hours a day, $5.00 a week. We had moved to 2212 N. Market after the World's Fair and lived there for a year or two. There were five or six shoe factories within ten blocks but I lived across the street from the one I worked at and came home for a lunch that my mother prepared for me. I had a hard job---worked a leveling machine. Because I wanted to be ready for high school I went to night school for three nights a week, first at Carr Lane and later at Central High School. I had the same teacher that I had in the eighth grade.
      But in 1907, when I was fourteen years old I started painting at the brewery. My first work was in the bottling department. I packed in wooden boxes. Each bottle of beer cost 5 cents but employees would drink a free bottle every hour. In the winter my daddy put on extra painters and I became an apprentice painter. The winter was the only time the beer cellars, where beer was aged, were painted because the windows could be opened. In the heat of summer, ice machines were used and everything in the cellars became too wet for the paint to stick to the walls. The cellars had to be kept at 30 degrees. My daddy had six to eight painters working on his crew at the time.
      In 1908 my father bought his first house at 5031 Emerson Avenue in Walnut Park. He lived there until he died. The house is still standing today.
      My daddy told me about his beginnings and it always "sounded like an adventure story to me!" William was a twin, one of nine children, born in Munich, Germany, of a devout Catholic family. He knew all the Catholic Church rituals and his parents had him picked out to be a priest. He had learned a trade, painting, which he began at ten years old. Everyone in Germany had to learn some trade; the first years a boy received only his meals, no pay. At fourteen years a boy also had compulsory military training. Because William neither wanted to be a priest nor a soldier he left Munich at fourteen and worked his way to the coast. He boarded a freighter, worked as a stevedore, and landed in Baltimore, Maryland after three weeks on the ocean. Washing dishes in a restaurant there was his first job. Because Germany had many immigrants coming to the United States, he easily picked up the English language from his fellow immigrants. ("I always thought he had a brilliant brain.") After four years as a "Hobo" learning the language, and working his way west, he arrived in St. Louis. He was eighteen years old, found a job at Busch Brewery and lived in a boarding house near my mother's house. He met her at a music society program where she was an entertainer, furnishing music with her mouth harp. These societies held concerts and plays and after they were married they were both very active, William singing choral music and always Emma helping address postcards to announce meetings. Emma Vieheller married William Sebastian saying, "She liked the smell of paint." (This was always considered a family joke.)
      She had lost her mother, and her father had remarried. His child by his second wife was George Vieheller of St. Louis Zoo Fame. He was her half-brother and she practically raised him. Her father lived to be 96 years old. She was big-boned and heavy-set, while my daddy was more like my brother William, very slender and tall, about five feet nine inches. He had coal black hair and always wore a moustache and a pompadour. Neither went to a dentist in their lives, never had false teeth, and he only had one tooth pulled. He died at age 60 in 1926 of "liver trouble." He would seldom take any medicine or go to the doctor; he just rested a few days whenever he felt sick. A doctor treated mother who then lived at Charlie's farm and died there in 1950 at 82.
      My father had two sisters who were nuns in Germany, and they frequently wrote letters to him about their lives. One was a mother superior in the Catholic Church. William's twin, Anton, came later from Germany to the United States. He was a shoe cobbler who first settled in Aurora, Illinois. When the government offered land grants, (This was land given free, without rent, to be used for farming.) Anton decided to move to Wisconsin and become a farmer. His son, Albert William was named after my father, and I was named after him, Albert Anton. My daddy visited them in Wisconsin while on  singing society tours. A few times Margaret and I went with Daddy to visit them, too; we were the only ones of the family to do this. (Actually this isn't quite true.)
      I always had an idea of being a farmer, particularly a chicken farmer. We had some setting hens and I built a chicken yard with visions of going into the chicken business. Feed stores were located in all the different neighborhoods and people could buy corn and hay and chicken feed cheaply.

Horse drawn wagons in American Cities before automobiles.
      My daddy had a horse that I took care of. I was sixteen years old, and "Babe" was my responsibility. The wagon shed and stable were in the backyard. The spring wagon held extension ladders while I drove the horse to various painting jobs. A sign read "Painter, Wm. S. Grimm." The front yard of the home on Emerson had a 50 foot front lot that my daddy always kept as a garden.
      There were no sidewalks or paved streets. We had to be in at nine o'clock. My daddy had a whistle and we could hear it a block away when he blew it. We liked to watch the firemen conduct fire drills at night. The harnesses at the station house hung from the ceilings and dropped down on their horses as they took off for a fire.
      There was no such thing as restaurants; all entertaining was done at home. (Grandpa, I think restaurants existed prior to your childhood!) I was pals with two boys who took violin lessons. Every Sunday we went together to Pop Concerts at the Symphony that were held in the O'Dean Building at Grand and Finney. One of the boys had a pump organ and I bought a guitar. I took piano lessons for nine months. My Daddy wouldn't let us play anything but classical, but I would go to the silent movies, listen to the popular tunes while the picture was going on and come home and pick out the tunes by ear.
      My father insisted that Bill (William) take a musical instrument, too. He bought him a violin at a pawn shop for $7.00. He also insisted that he take lessons from the director of the singing society for nine months. By the time he was finished, he could play better than his instructor and was tuning his instructor's violin. His instructor was a overall superior musician to Bill although; he taught lessons in many different instruments. Bill practiced several hours a day, but he didn't have a chin rest on his violin to protect it from wear. Because kids dressed with suspenders in those days, just as my brother did, Bill's buckle from his suspenders wore through the bottom of his violin!
      Bill also played the banjo and piano, although only the black keys. Charlie played a banjo by ear. Margaret took piano lessons from an accomplished teacher, learning popular music. My daddy painted a sign in gold leaf once and hung it on the front door of our house. It read, "Margaret Grimm, Piano Teacher, 25 cents for half an hour." In those days, we had a family band and other children who played instruments in our neighborhood would join us in our back yard to give concerts. We also used to walk around the neighborhood and serenade people on their birthdays.
      My parents were members of a Lutheran Church. My mother insisted that we always go to Sunday School and church where ever our playmates lived and were attending. Sundays, my mother had her friends in for meals but my daddy was always going to music and picnic functions. He could always get up before a crowd and make a speech. My mother was more "retiring." She was busy making her own bread and noodles and going everyday to the butcher shops and grocery store across the street. I would often buy a dozen doughnuts for 10 cents to treat the horse, Babe, in the morning when she would come to the kitchen door through the open gate. People used to say, "I should have been a girl" because I was the only brother who stuck around home and helped my mother.
      Charlie always had a natural talent for playing baseball. In 1916 he was playing with the Municipal League, when he tried out for the Philadelphia Athletics. He was shipped to Durham, N.C., to play in the minor league. He played a season with the St. Louis Cardinals. He was the youngest player to enter the big leagues and played in his first World Series in 1932. Later when he was a manager of the Chicago Cubs at the same time that Franklin Roosevelt was running for president, I remember seeing pictures of Charlie shaking hands with Roosevelt. (video footage)
      My daddy took me to the Turner Schools for gymnastic training. I worked out on bars, sawhorses, parallel rings, boxed and wrestled several times a week, first at the Southwest Turners and later at the Northwest Turner's Hall. I even had a horizontal bar at home that I built myself next to the stable.
      A cousin of my mother's named Wendell, ran a farm on Woods Mill Road between Olive and Clayton. I went there in the summer and spent several weeks working the threshing machine and the binder, all with horses or mules. I often rode the mule up slopes that were high and thought that a lot of fun. This family had three boys my age and I would stay until I got homesick. I would take the Creve Coeur Lake Line streetcar which started at the University City "Towers." It would take about an hour. The fare was 5 cents or two and half pennies if your were under twelve years of age. At one time I owned a rubber-tired runabout without a top and one seat. I drove it out there with a horse and then pastured the horse at the farm until I was ready to go home.
      When I was twenty four years old, I was drafted into the service. It was the first time I ever saw my father cry. It was 1917, and I was drafted right after war was declared. Lots of fellows were drafted and I was glad to go. There was lots of patriotism back then. I had three months of training before I left at Camp Funston in Kansas near Fr. Riley in Lawrence, Kansas. The recruits left St. Louis by train from Union Station. I served two years over seas in France.
      After being shipped to France, I was with the 314th Engineers. We constructed pontoon bridges and I was under fire several times.
      Every unit had a band; a Regimental Band. Because they didn't have enough men with musical instruments, those who had some knowledge of music were picked for the band. I was chosen for the Army Band and was given a tuba--the double B Bass. It got me out of a lot of work! The band was used for entertainment and funerals. The company also bought me a guitar and Les Thirolf, who had played together with me at home, was given a mandolin. We took these instruments all through Europe. After the Armistice was signed, I remained in France for nine months traveling to towns and playing at hospitals. I came back to the United States in 1919.
      Two years later, in the 1920s, I was married to Minnie Wegener. She had lived in the same neighborhood as I did and I had gone out with her for two years before going into the service. We would attend vaudeville shows together. She lived at 4551 Alcott Avenue. Her dad was a blacksmith's helper doing iron work and using the anvil. Every neighborhood had a blacksmith shop and I liked to watch them shoe horses. 
      Minnie worked as a telephone operator for Shepleigh Hardware Company. We were married August 20, at the home of Pastor W. of St. Matthew Lutheran Church.
      The rest of the story can be told by my children.

Author and Interviewer, B. Grimm
August 31, during the 1970s
Montauk State Park
(Some names and dates have been changed for privacy purposes.)

Monday, January 13, 2025

Craft miniature plant stands for a doll's garden or home...

Two miniature plant stands
 for the dollhouse garden areas.
   Plant stand tables may be cut to fit any space where these are needed inside of a dollhouse or garden space. I made these plant stands to sit beside metal chairs and so ours are painted in similar colors to go with the doll's outdoor funishings. 
   The potted plants are made using tiny beads and plastic plants glued inside of the bead openings.

Supply List:

  • scrap cardboard
  • paper wrapped wire 
  • transparent ornamental black line stickers
  • green teal and black acrylic paints
  • two fancy beads
  • tiny plastic plants
  • white school glue
  • bit of tissue paper
  • tiny pliers (optional)
  • Mod Podge
Step-by-Step Instructions:
  1. Cut a tiny tabletop from cardboard to match the size of the decorative stickers.
  2. Paint the table top and then stick the sticker on top.
  3. Cut a narrow slice of cardboard to glue around the tabletop for the edge of the table. Glue this on.
  4. Turn the tabletop over and attach the wire stand underneath with tape and glue. Let dry
  5. Paint the table legs black to look like cast iron.
  6. After everything dries, you may opt for gluing on the "potted plants"permanently or not.

The wire legs are constructed from recycled wire that comes from the market.
The stickers are "see through'' with black decorative images only.
Left, here you can see that the wires are attached underneath with glue.
Right, after the glue has dried, I shaped the ends of the legs into tiny curled feet.

Saturday, July 13, 2024

Fashions for Spring/Summer 18'' Dolls

        The following doll clothes are for Spring or Summer weather. Most of what our dolls are modeling this Summer is made from altered children's clothing. Sizing unwanted items down, is in my opinion, the most economical way to dress dolls. It eliminates the need for purchasing extra trims; recycling zippers, buttons, embroidery and elastic can save quite a bit of cash! Of course, there is also the added bonus of outfitting your dolls in some very professional looking pieces.

Left, is a lovely printed garden party dress that includes a butterfly 
embroidered to the bodice. Right a colorful hot pink, sleeveless knit top
coordinated with white, knee length shorts. The shorts have a cheerful
butterfly motif printed on them.

       Butterflies, polka-dots and stripes are all in fashion this year; you may see these woven, printed and embroidered into all kinds of juvenile garments! Classic sneakers, sandals and flip-flops are made to coordinate with every look as well.

On the left, stands our doll Christine dressed for a visit to a summer
theater performance. Standing on the right, is her friend, Candace; 
She is dressed in her favorite overalls and stripped long sleeves. She 
is on her way to watch fireworks in the park. Candace is also wearing
hand-painted sneakers made to look like the night sky.

       Dolls have all kinds of event to attend and participate in during warmer months, so they need flexibility in their wardrobe: skirts, shorts, dresses and overalls. Even a pair of colorful cut-offs may be included in our doll's summer mix. 

Christine and Kit both wear summer time knits with embroidered features. 
Christine is in a floral print skirt and Kit in the latest blue, stretch jeans.

       Christine is wearing metallic strappy sandles and Kit is in neon orange sneakers. Fun footwear is always an added bonus to dolly coordinates. No outfit is complete without just the right shoes!

Mesha shows off a lovely, ethnic blue skirt, trimmed in beads and tiny
mirrored sequins. She pairs the skirt with a simpler, grey knit top. The 
top is worn off the shoulder to repeat the horizontal design found in 
the skirt. Her white strappy heals finish the look. Now she is ready for
a fun day sight seeing in the city.

Left, Christine wears a simple Searsucker striped dress
is just the right choice to wear to church on a warm summer
 evening. Right, Kit wears a bold floral knit print along with her
bunny ear tee-shirt when playing in the park or watching a
movie at home with her parents.

Mesha's peplun top is decorated with 3D silk flowers and Candace wears
a cheerful green polka-dot dress. The tiny embroidered lady bug on her
bodice is pink, just like her flip-flops below.

       Mesha and Candace are ready to visit the market in town. They have so much to do to plan their family picnic but perhaps they will also have time to eat at the local pizza parlor and admire the flowers in the park. There is a free art show going on in the park too. Their fashions are perfect for all of their plans.

Left, Kit wears a popular polka-dot motif for summer, this one is pink 
and white knit with cut-off sleeves. Christine ties a cozy cardigan sweater
about her shoulders while it is not quite chilly enough to put it on. She 
will need it as the cool night air settles around her if she decides to
walk through the park in the evening.

Kit's top has a splash of yellow at the shoulder to make it look unique.
Mesha pairs classic overalls with trendy polka-dots.

       Summer fashions don't need to be fussy. Keep them on the light side, make them playful and charming. Above you can see Kit wears blue stretch shorts and a white and blue printed floral top. Mesha wears a polka-dot top with her buff pink overall shorts. These dolls are ready for fun and play but may still be dressed just right for a day at the zoo, shopping in a mall, attending a ballgame or visiting with girl friends at home. 

Now Kit wears horizontal stripes and a cozy hooded sweat shirt and
Christine shows off her ''Old School Gym'' tee shirt with bold black
and white color blocking. Both dolls are ready for sporting events!

Monday, November 6, 2023

The Ruby, One of The Rarest Gems

       The blood-red ruby, its glowing color aptly suggesting the heat of midsummer, is one of the rarest and most beautiful gems.
       While since the earliest times many different stones, including the various kinds of garnet, red tourmaline and others, have been erroneously called rubies, the true or ''Oriental'' ruby is a distinct species, composed like the lovely sapphire, of corundum. Corundum, the name of which is derived from an old Hindu word, first came from India. It is a crystallized form of aluminum and ranks next to the diamond in hardness. A less valuable form of this material than the gem ruby or sapphire is frequently encountered in the polishing-wheels and other abrasive implements that are used in machine-shops.

Above is the 170 caret red spinal, the 
Great Imposter thought to be a ruby 
at one time...

       Nearly all of the finest rubies were procured from Burma, now know as Myanmar, where the ruby mines had been known and operated for many centuries. These mines are worked upon concessions purchased from the Burmese Crown, but the purchaser of such a concession is allowed to retain only stones under a certain size, all larger gems becoming the property of the Crown. For this reason but few fine rubies of great size have ever found their way outside of Burma, and it is to be deplored that many small and unimportant gems which found their way into the European markets were once a part of fine large stones which were broken into fragments by their finders to prevent their confiscation by the Crown.
       One of the King of Burma's titles was "Lord of the Rubies. It is, therefore, natural that he would be the possessor of the finest known collection of these gems.
       The finding of a ruby of great size and beauty was a cause for celebration in Burma, it being the custom to send out a procession of grandees, soldiers and elephants in ceremonial attire to escort the gem into the royal city.
       Good rubies of a slightly darker color than the Burmese stones are found in quantity in Siam. Inferior gems were procured from Ceylon and India, while occasionally the ruby is encountered in North Carolina and Montana.

QUALITY IN THE RUBY

       The common faults of inferior ruby specimens are lack of clearness, the presence of clouds, cracks and fissures, uneven distribution of color, paleness or too great depth of color.

VALUE

       So valuable are flawless rubies of good color that when they ascend above a carat in weight their values depend to a considerable extent upon fancy. A three carat ruby of desirable qualities is a rarity and possesses a value many times greater than that of a diamond of the same size.

HISTORY

       Throughout history the ruby has held equal place with the emerald in value among gems. It was known to the ancient Greeks as anthrax, to the Romans as carbunculus. It was one of the twelve stones used in the Ephod or sacred breastplate of the Jewish High Priest. It is interesting to note that according to the Arab historian Abd-e-Rhaman, writing 829 A. D., the sarcophagus of Cheops, the Pharaoh of the Great Pyramid, contained a  sword which bore in its hilt a fine ruby ''as large as a hen's egg and brilliant as a flame.''

TRADITION

       As the ancients believed the ruby to be of a phosphoric nature, becoming more radiant if exposed to heat or to the full rays of the sun, it was made the subject of much tradition. Thus, according to the Talmud, Abraham, when keeping his wives shut up in an iron city, in order to give them light set a bowl of rubies in the center of the city, which filled all the air with lustre.
       In ancient and medieval times the ruby was thought to possess the quality of warning its wearer of the presence of poison by growing dark and cloudy. By the same manifestations it was believed to indicate evil, misfortune, or any danger which threatened its owner. The following, taken from a sixteenth century work on gems, explains one way at least in which such a belief could have gained foothold:

       "A wealthy jeweler one day having washed his hands, sat at a table, when, glancing at a ruby ring he wore on his finger, he noticed that the stone which usually delighted his eye had lost its brilliancy and become dull. Since he believed in the superstitions connected with the gem, he became convinced that some misfortune threatened him, so he removed the ring and placed it in a case. A fortnight later one of this man's sons died. Reminded by this event of the phenomenon observed in the ruby, the jeweler took it from its case and found that it had recovered its pristine brilliancy. This fact confirmed him in his belief in the ominous quality of the stone. Once more, shortly after washing his hands he remarked anew that the splendor of the ruby was dimmed, and again fell a prey to anxiety, lest some fresh misfortune was impending. Since, however, his apprehensions proved vain and no untoward event occurred, he investigated the matter carefully, and discovered that the obscuration of the color was due to a drop of water which had penetrated between the ruby and a foil that was placed beneath the stone to improve its color. When the water evaporated the former brilliancy of the stone returned."

       The ruby was regarded as a potent charm against sadness and many forms of sin and vice. If the four corners of a house, garden or vineyard were touched with a ruby, they would be preserved from lightning, tempests and worms.
       A belief is held by the Burmese that rubies ripen in color gradually while maturing in the earth‚ like fruit upon a sunny wall. This idea seems to have prevailed also among the writers of the fifteenth and sixteenth centuries.

Detail of the Timur ruby from a painting of Maharaja Sher Singh, 1841.

A STRANGE BELIEF 

       Some Burmese or Myanma people believe that the ruby confers invulnerability. To attain this end, however, it is not thought to be sufficient to wear the stone set in a ring, but the gem must be inserted in the flesh and thus become, in a way, a part of the owner's body. Those who in this way bear about with them a ruby, confidently believe that they cannot be wounded by spear, sword or gun. A somewhat similar idea prevails among the Hindus who believe that the possessor of a fine ruby may live in peace and concord in the midst of his enemies. The power of this protection is supposed to depend upon the degree of perfection of the stone.
       The ruby was used extensively as a cure for the plague, hemorrhages, and to dispell pestilential vapors. It was also used in the treatment of diseases of the eyes and for disordered livers.

FAMOUS RUBIES   

       Because of the fact that the largest rubies found in Burma/Myanmar were hoarded by those historic sovereigns, fine gems of great size had seldom found their way into Europe. There are, notwithstanding, a few noteworthy specimens.
       Perhaps the finest ruby is the gem known by the formidable name, Gnaga Boh, Dragon Lord. This stone weighed forty-four carats in the rough, twenty carats after cutting. It is absolutely perfect.
       The largest ruby of which we have record was a stone which weighed four hundred carats in the rough. This gem was broken into three parts of which two were cut, resulting in fine gems weighing seventy and forty-five carats.
       A ruby the size of a pigeon's egg, once in the Russian regalia, was presented to the Czarina Catherine by Gustave III of Sweden, in 1777. This is the largest ruby in Europe.
       When Peter the Great went to England in 1697, (working as a shipwright in the dockyards at Deptford), he paid a visit to William III, whom he had met before at the Hague. In taking his final leave Peter fumbled for a moment in his waistcoat pocket and drew therefrom a small parcel wrapped in a shabby scrap of dirty brown paper. This he pressed into the hand of King William. It contained a ruby worth fifty thousand dollars.
       The great gem set in the Maltese cross fronting the Imperial Crown of England was for many years believed to be a priceless ruby. It is, however, a spinel‚ a stone of no great value.

SYNTHETIC RUBIES

       It seems not amiss, inasmuch as we have heard a great deal about synthetic rubies in recent years, to add a word concerning these stones.
       The term synthetic must not be confused with the word, imitation, for while a ruby's appearance can be imitated in glass, such a fabrication will not stand the tests that are used to distinguish the true ruby. The synthetic gem, on the other hand, is in structure a true ruby which will stand all tests of hardness, specific gravity, etc., though artificially produced. Such gems are easily distinguished from natural rubies by those who are familiar with them. Their production has tended to increase the value of true gems rather than to diminish it.

THE RUBY TODAY

       The finest red ruby is more rarely encountered in modern jewelry than any other gem, not because it is lacking in popularity but because of the ever-increasing difficulty with which good specimens are obtained. During the past few years the demand for the ruby has steadily increased and jewelers have had no difficulty in finding a ready market for such gems as they have been able to obtain. Those who possess good rubies are fortunate, for with the increasing demand there has been a commensurate increase in their value. Wood

Wednesday, August 2, 2023

Trillium

One, two, three,
One, two, three,
Trillium, Trillium,
One, two, three.

       One of our first flowers to come out in the Spring is the Trillium or Wake-Robin. It was called the Wake-Robin in the East because soon after it blossoms there, the robin begins to sing. That is a topsy-turvy idea, is it not? The pretty flower is the alarm clock to call Robin to sing, instead of Robin being the alarm clock to awaken the flower.
       In California, we usually call it Trillium. That is the name Botanists gave it long ago. It is easy to see why. It means that its parts are in "threes."
       You can easily see it for yourself. There are three green leaves at a top of a stem. From their center rises the flower stalk. There are three green sepals and three light petals. There are six stamens. The three stigmas curve back as the petals do. You see Trillium is a very good name for it. You can call it Wake-Robin if you like that name better. It is really a pretty name and sounds like Spring time. 
       Wake-Robin does not come out in the sunny places as does Buttercup. She likes best the slopes near a creek, where there are always bushes to give her shade. Do you think she wishes insects to help her?
       Look at the three green leaves. See how they round in to the center where they join the stalk. Notice the five deep lines all running down to that center. These deep lines in the leaf are called nerves? 
       If Mrs. Insect happens to land on one of these curves, she will walk on the nerve right down to the center. When she gets there, she will see the flower standing up higher. All insects are curious, just as boys and girls are. If they were not curious, they would never learn anything new. So, this insect will crawl up the stalk to look into that flower.
       The three sepals spread out and the three petals stand up. Between them there is a little space. This is an easy open door for Mrs. Insect to crawl through, if she has come from below.
       If Mrs. Insect comes through the air and alights on a petal, she finds little paths leading downward. Of course, she follows one and when she is down low, she is sure to strike the bottom of the stamen. The anther opens and the pollen falls over her. The anthers are full of a very rich pollen. Many insects like to visit Wake-Robin just to eat the pollen and to carry it home. They go to several flowers as they collect. The stigmas take the pollen that is on their bodies and send it to the ovules.
       After her seed is formed, Wake-Robin changes her dress to a darker one. That is a sign to the insects that her pollen is all gone. They will be wasting their time if they come to her. No insect ever has any time to waste. You have watched them, have you not? They hurry along always with their minds set on just what they are doing. If you put a piece of grass in their way, they just walk around it and go to their business. So, when they see that Wake-Robin wears a dark gown, they leave her alone.
       If you dig down under the stem, you will find a thick root. If you leave this alone, the Wake Robin will rise up again next year. If you are fond of Wake-Robin, you can dig up the root carefully and put it in a paper with some of its own earth around it. Then plant it in a shady spot in your garden. Next year you will have a Wake-Robin as good as the ones that bloom in the woods. If you leave the root in the ground unharmed for several years, you will have a bed of Wake-Robins.

Trillium comes in a dark variety too.

       If you want a beautiful wild flower garden in the Spring, get some roots of Wake-Robin's tall sister, whom we always call Trillium. She is so beautiful that many people in the East and in Europe have her in their gardens. Isn't it funny? We send to Europe for roots of the Tulip for our gardens and do not notice the Trillium growing in the next field. Europe sends to us for roots of our Trillium and other wild flowers. They use Tulips, too, but they prize highly some of our Native flowers.
       This Trillium is very handsome. Her petals are long and waxy. They are wonderful colors - white and cream; from palest pink through to darkest red; from lemon color to orange; from sand color to dark brown.
       Her green leaves are wonderful too. They are sprinkled with dark spots, of all sorts of shapes. Some look like strange writings. If you can read the Fairies' alphabet, perhaps you will find a letter just for you on the Trillium leaf.
       This Trillium sends out a message to the insects. It is not so sweet as that of Wall Flower, nor as strong. It smells like lemon juice mixed with strange spices. The insects fall in love with the fragrance and come rushing to find out what it is. Then they find the pollen. As they feast upon it, they also help Mrs. Trillium by carrying some of it to her neighboring blossom. Then good seed is formed and sent out to form new plants.
       Underground, the roots are also forming new plants. We call these kind of roots Bulbs. You have seen the bulb of the Chinese Lily which your Mother started in a bowl of water. You saw the tiny roots go out in the water and the stem with leaves and flowers rise up. That is the way all bulbs act. Some of our most beautiful wild flowers come from bulbs. Some gardeners make a business of collecting them and shipping them all over the World.
       Some of you boys and girls might plan right now to go into the California Bulb business when you are grown up. Ask your Mother how much she paid for those Tulip bulbs last year. There is good money in raising bulbs for the market. There is pleasure in it too. The work is out of doors. You learn about the soil, the sun, and the shade each plant wants to make it healthy. You learn which insects are its friends and which insects are its foes. You find out something interesting every day.

Back to "Little Blossoms" Doll Summer Camp Index

Tuesday, July 4, 2023

Red Pepper

 Red Pepper said a biting word
Which Miss Green Pepper overheard;
Said she: "Hot words you can't recall;
Better not say such things at all."
 
       Assemble a mini doll sized book: Right, is the peppers's illustration and verse. Visitors can collect all the vegetable illustrations and verse from "Mother Earth's Children" to print and construct a small book of verse for their dolls. Simply drag each png. into a Word Document, print, cut out all of the images the same size and staple the pages together at the left edge. Squeeze out some white school glue along the stapled edge of the pages and attach a cardboard cover.

 
More Links to Red Peppers:
A Pretty Pickle - a dance between
 very different veggies...

Monday, June 5, 2023

DIY Doll Farmer's Market Stand

Above is our families Farmer's Market Play Set. The rocker was handcrafted using cedar.
I do not know who made this; it was purchased at resale. At the stall is also a real mini
scale and doll sized calculator that we use to add up the cost of the produce.
  
 
        I honestly think this doll market set is more adorable than those sold in toy stores today. Which is a good thing, given the prices toy companies charge for them. Most all of the fruits and veggies shown on this post  were made by hand using Sculpey and then painted using acrylics. The cast iron stand and rocker were purchased at a flee market.  

"An abundance and great variety of vegetables and fresh green lettuces are flooding our
 doll's farmer's market. Fine homegrown corn and peppers for roasting are just a few our
 featured vegetables on display."

"Soon a delectable crop of peaches will arrive and every doll knows how marvelous
these taste with homemade ice cream during the summer months."

"Don't forget our berries make the very best fruit preserves for canning and no doll's
breakfast table should lack for blue berries served on top of their morning cereal!"

Our dolls market stall made from recycled crates.
 
     I've included from our crafted vegetable and fruit selections, the typical food items sold at a Mid-Western farmer's market during the summer months of June, July and August in the United States.  If you live abroad or in a Southern state or on an island, the selections you might include in your own toy market could look quite different from ours!

Edible Family Groups at Our Farmer's Market: veggies, fruit, nuts, legumes, herbs, grains, etc...

  1. Rose - Peach, Apricot, Nectarine, Apple, Pear
  2. Mustard - Cauliflower, Broccoli, Brussels sprout, Cabbage, Bok choy, Radish, Turnip, Red cabbage, Mustard greens
  3. Lily/Onion - Asparagus, Onion, Garlic, Leek, Green Onion
  4. Nightshade/Potato - Tomato, Potato, Sweet potato, Peppers (all varieties)
  5. Cucumber/Melon - Cucumber, Watermelon, Cantaloupe, Squash, Chayote
  6. Carrot - Carrots, Parsnips, Celery, Cilantro, Coriander, Fennel, Anise, Caraway
  7. Sunflower/Daisy - Artichoke, Lettuce, Sunflower
  8. Legume - Beans, Peas, Bean sprouts, Snow pea, Lentil, Jicama, Peanuts
  9. Goosefoot/Beetroot - Swiss chard, Spinach, Beets
  10. Palm (tags) - Coconut, Dates
  11. Mallows - Okra
  12. Zingiberaceae- Ginger root, Turmeric, Cardamon, Galangal
  13. Rhubarb - Rhubarb root
Left, heritage tomatoes. Center, chip wood baskets full of berries etc... Right, fresh basil.

Left, the Swiss Chard, mushrooms and butternut squash. 
Center, three kinds of potatoes: sweet, red and Idaho.
Right are the giant shallots.

Left, details of pears. Right, details of cauliflowers.

Left, one of our larger doll crates made using big tongue depressors. Right,
the watermelons are painted wooden eggs.

Left the sign details up-close. Right, the back side of our market sign left unfinished
for now... Wew! we are tired!

 Additional Crafts for The Doll's Farmer's Market:
We had so many fruits and vegetables to play with that we needed extra tables! See
how to make the larger one in the back here.

  More Market Stalls for Dolls:

What's cool about the farmers market? by Foodwise

More About Farmer's Markets:

Saturday, July 17, 2021

Miniature Doll and Dollhouse Crafts

Examples of miniature dollhouse crafts from our listing below: mini dollhouse dressers,
miniature dollhouse vases, a dollhouse built from a small bookcase and a tiny
DIY toilets made from paper egg carton parts.

Miniature Doll & Toy Storage:

Collecting & Crafting Miniature Dollhouses:
  1. The 5WH of Dollhouse Building - Think about these questions before you begin to build a dollhouse...
  2. Apartment Dollhouse Modernized with Elevator - comes with plans and pictures and an elevator!
  3. My Vintage Tudor Doll House - what it looked like prior to furnishing...
  4. Every Child Needs a Fabric Dollhouse - this version folds up or may be carried as a purse...
  5. Turn a Bookcase Into A Dollhouse - our latest doll house build using a small bookcase
  6. Doll furnishings and house over 100 years old! - This miniature dollhouse has been in our family for more than 100 years.
  7. Build a 1960's dollhouse - in Mid-Century modern style ranch
  8. Knockdown mini dining set - finished in pink and blue for a toy dollhouse...
  9. Dolly Dingle's Dollhouse - print and play right away!
  10. The Pink Thrifty-Flip Dollhouse - for art supply storage on the first floor and a mouse-sized studio apartment on the second floor...
  11. Vintage cottage decor cabinets make much nicer dollhouses...- transform dvd/cd storage into doll townhouses
  12. How I changed a miniature gazebo to match my dollhouse - including an example of a rabbit themed weathervane 
  13. We found a modular wooden dollhouse for free! by PlanToys

 Our Miniature Furniture and Accessories for Dollhouses:

  1. 5 Ways to Make A Dresser for A Doll's House - Alternative designs and materials for hand-crafting these furnishings for a miniature doll's bedroom.
  2. Make a pom-pom doll house rug - Adjust the size by adding or subtracting pom-poms.
  3. How to Craft Miniature Dollhouse Furniture by Klenke - Photos have been cleaned, patterns are original and cleaned, text has been updated and edited by Grimm, 2018, for this blog
  4. Miniature Flower Vases - these tiny containers are made using beads and tiny spools
  5. Craft a Paper Mache Dollhouse Toilet - how to use recycled paper egg cartons to make a tiny toilet for a doll
  6. See also our big collection of dollhouse printables - included here are designs made especially for miniature doll homes.
  7. Popsicle Stick Patio Furniture for Dolls - two chairs a oval table, a couch and a picnic table all made using Popsicle sticks/craft sticks
  8. How to make matchbox living room furniture for your dollhouse...
  9. Make a Miniature Rose Trellis - for a doll's house or a fairy cottage
  10. DIY Old-Fashioned Miniature Spool Beds - two sizes and colors with vintage bedding
  11. Craft a Whale of A Weather-Vane - for dollhouses
  12. Lighting a fire under the old dollhouse mantle... - How you can insert a lit fire into a miniature fireplace
  13. Craft minature plant stands for a doll's garden - made using cardboard and stickers, plus sample potted plants made from beads
  14. How to make miniature eggs in cartons - for tiny dolls who love to bake!
  15. How to make miniature flowers to display in your dollhouse - flowers included here are tulips, daffodils, poppies and pink anthurium 
  16. You can design footstools using buttons, beads and recycled bottle caps - see how here
  17. Miniature Doll's Furnishings from Egg Cartons - dining room set and family room couch with chairs
Miniature Paper Doll Furniture:
  1. Miniature Paper Kitchen Furnishings for Your Paper Dolls - "Three pieces of kitchen furniture for paper dolls from 1911 are being published this week. You may color them before cutting them out, according to your own taste, but naturally the stove should be dark gray or black..."
  2. Some nursery furniture for the paper doll house - "The two pieces of paper doll's furniture published today are a crib for the paper doll infant and a rocking chair for a somewhat older paper child..."
Miniature Paper Doll Houses:
  1. Little Church from Cut-Out Town - "Paper dolls on Sunday go to this little church, just so!..."
  2. The Little House From Cut-Out Town - "Cut-Out Town is made of paper: paper houses, paper trees, paper flowers grown in boxes In the windows--where you please..."
  3. The Little Store of Cut-Out Town - "Cut-out company are grocers, and they own this little store, where they sell at cut down-prices cut out groceries galore..."
  4. The Paper Town Hall from Cut-Out Town - "Searching newspapers is a tedious process, even for an archivist! But here is the Town Hall..."
  5. 100 Paper Villiages: Mega Listing - There are endless possibilities when designing your own paper village.
  6. Craft Little Paper Houses Using Milk Cartons - "As some of you know, I teach art, whenever I can, to a large group of sixty-five students, grades k-5th during an after school program..."
  7. Historic Paper Buildings at Greenfield Village - "I found these paper scale model buildings
    at a flee market."
  8. Little Factory from Cut-Out Town - "Cut out on all heavy black lines, fold on all dotted lines and past X to XX. Roll and paste the smokestacks..."
  9. The District School of Cut-Out Town - "On the way to Cut-Out Corners, where the road of glueville winds, stands the little district schoolhouse, painted white, with neat green blinds..."
  10. How to make a box apartment for Miss Paper Doll - this miniature doll house is designed to play with from above.
Hand-Craft Miniature Dolls for Your Dollhouse:
  1. A Little Doll From Piotrków  - See how I repaired a clay doll body with cotton batting and a pair of pliers.
  2. Sculpt a clay doll from a pinch pot - "What to do on a rainy day? Gloomy days are perfect days for crafting a new doll..."
  3. Paint tiny peg dolls like Nina Norway... These little Nina Norway peg dolls probably originated in Europe. They are so sweet and simple, any little child would love to play with them!
  4. Craft Miss Hickory in Her Gingham Dress - Craft a Miss Hickory mini doll using twigs and and a hazel nut.
  5. How to Make A Raggedy Doll - Raggedy Ann doll pattern for a mini 6" 
  6. Sew a Miniature sock monkey doll - this version is a doll for a doll, sock monkey for an 18" American Girl Doll
  7. The Wooden Doll Index - has many examples of miniature dolls that would love to live in a child's dollhouse!
  8. How I made a grandpa doll for our dollhouse family... - plus see his dog Winston too...
PBS interview with local St. Louis Miniature Museum